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from aphyr

Just come to the door friend, I promise it's me It's safe, open up, I'm alone you can see You're tired, I know, we can keep it low key Just let me come in for a moment or three

You've been up for a while and now it's time to rest No sheets on the mattress, your head on my chest I'm taking you with me—I've rented a car You can stay for a few days, it isn't so far

There's no one else here, we'll walk through to be sure Here's pedialyte—yes I've locked up the door No man at the window, calm your frantic stare I live on the third floor: you can't stand out there

“Be present, be truthful, clean up your own mess” The motto you lived for and now must redress Another sip please. Let crescendo quiesce “The last time,” you promise, you won't retrogress

I know you can't sleep, not in this frame of mind I'll listen as long as it takes to unwind The rictus of sobbing in time will subside You just need some rest and the rest I'll provide

The tarnishing gears of your burlesque machine The spinning top rests, patina damascene Believe it's the last time—it won't supervene N,α-dimethylphenethylamine


Just stay here for now, I'll be in the next room I'm calling your Daddy, he'll know what to do I just need a moment, a moment or three I promise I'm fine, don't you worry for me

 
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from Mr.Jack

The Curious Incident of Courting the Antique Dealer

Brad only really knew of Johnny through his boss and the man’s regular visits to the cafe. Supposedly, baristas could tell a lot about a person based on their regular order. But this man, this unfortunately attractive man who owned the shop next door, never seemed to order something that would give his secrets away. Every time Johnny walked into the cafe he would run through the relevant information. Looking for an opportunity to start a conversation about something beyond the weather. He knew, by Carl’s information and gossip from other customers, that Johnny was gay. Or at least open to men as he had previously propositioned Carl, not knowing the man owned the coffee shop or had a very jealous partner waiting at home. The gay thing wasn’t all that hard to figure out for anyone who had ever watched a single second of Mr. Humphreys in Are You Being Served. Johnny was much like the sales clerk, but had much better teeth. Connected to Johnny being gay was the matter that the uncle he had (recently) inherited the curio shop from was also inclined in…well rather he often reclined. Once making enough of a pass at Brad for him to come to terms with himself. Something that one might think he would do once considering why he wanted to work in a gay bookshop. Johnny’s uncle had been a slick, gray haired fox and Johnny, though sporting less gray hairs, represented what the man must have been like in his youth. So, now here he was again gazing at his customer as Johnny considered his caffeine needs. Quickly settling on just a cup of Earl Grey. They exchanged their usual pleasantries up until the point of Johnny handing over his money. Brad was surprised when the man suddenly popped a question for him. “Brad, lovely, is there something you wanted to ask me?” He stepped back on the heels of his skid resistant shoes. This was the moment he had waited for for months but he hadn’t a clue what to say. “I was wondering if you’d like to go out sometime for a drink.” The reaction in Johnny's face was something genuine. Yes something very real and human as he said, “I’d love to have at least one drink with you.”

 
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from Mr.Jack

Excerpt from an untitled novella:

The newly minted Lieutenant Colonel Koller looked down at the just as shiny new silver oak leaves on his uniform as his towel began to slip from his waist. He could have tied it tighter, but he wasn’t concerned with the company he was keeping this weekend. It had been a better celebration of the new rank than anything he could have received at the university. If it had been up to him, he wouldn’t have accepted the promotion or the faculty position. Koller could have been satisfied to live out the rest of his days in bliss in his wilderness. His lover, on the other hand, a fellow officer and faculty member, encouraged him to keep up the appearance of being a hero. Even if his lover had spent the weekend keeping up the appearance of a housewife who had misplaced her housecoat. She was still busy showering. Singing and complaining of how he should remodel the bathroom to be big enough for the both of them. Koller simply turned up the radio to his favorite ‘hillbilly music’ station and swayed to the Playboys song as he slipped his white boxers over his hips. The rest of his uniform, aside from his jacket, went on with less than military efficiency. Josie would be done soon and he’d have to help her with her undergarments. He picked out a white set. If she wasn’t going to wear boxers and an undershirt to work, then she might as well wear something that vaguely resembled his own underwear. If only in color. “Ehri! Your damned water has turned cold on me again! I don’t know why I bother coming out here with you just to get a good screw.” She stepped out of the bathroom in the same garb as his own post shower coverup. Still in the habit of wrapping the towel at her waist rather than her chest. He sat down on the bed, laughing slightly as she glared at him for the water situation. “Josie, pet, you know the tank is only meant for one person. And I tried my best to leave you enough water.” His laughter was short lived as she pushed him back onto the bed, straddling him to let her unclothed cock rub against his that was packed away. As she leaned down to kiss him, their chests rubbed together and he slipped his fingers down to her hole. She pushed back and they both started wishing she had lubricated herself after the shower. Both also knowing sex couldn’t be on the agenda if they were going to get to the meeting on time. “You know what I want, Ehri, but you’re just going to say we don’t have any time.” “We don’t have the time and we do have responsibilities.” She rose from his lap with a sigh but her eyes lit up when seeing the outfit he had laid out for her. The underwear were no problem. Not with her lacking package. The bra, she was still getting used to them, posed a few difficulties. But Koller, with all of his experiences with undressing and dressing many genders, relished in the opportunity to tease the nipples on her flat chest via his helping hand. She pressed back against him when he applied just enough pressure to make her start leaking into the silk. “Ehri. Ehri please,” she begged as he continued to dress her. Pushing her legs through her uniform pants and pulling skinny arms through a freshly starched dress shirt. Standing in front of the mirror she was both the model of military dress and his model for the lovely set of lingerie. A discerning eye could just make out the wrinkle of lace edging beneath her white collared shirt. No eyes, except Clark Kent’s, would be able to spot a sign of her panties though. As he tied Josie’s tie and straightened her uniform pants, Henry Koller leaned in once more to kiss her neck. He whispered lightly in her ear, “I do hope Major Rollins that you’ll be thinking all about this lace while pretending to be a military man today.”

 
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from Mr.Jack

Rose’s Haircut

The night had started in the way that many of his flings started – with an old friend coming into town for business and wanting something pleasurable before they departed. This request had just been a bit different. She wanted a hair cut. Specifically, she wanted a hair cut while she was at blow job height. It had been a bit difficult to focus on giving her a high, tight styling while she lapped at his pussy. But if he was any one thing in this world, he was a professional in every context. Despite his own run of kinks, it was hard to imagine how she was getting so hard just from having his hands in her hair. Not that there would be much of it left soon. As he got closer and closer to completing the job, she was desperately trying to get him to completion. It wasn’t long before a “fuck” left his lips and he swapped his position on the clippers to forcing her face further into his pussy. As he came, let go of her and quickly unplugged the clippers, returning to his safety first mindset. She slumped back against the cabinets, giggling when she saw him acting as if nothing of importance had happened. “Do you treat all of your guests like this?” He stuck out his hand to help her stand back up. Laughing along with her as she slipped for a moment on the slick cum spot on the floor. “Only the ones I’m planning on showering with and inviting to stay overnight.” They kissed once more before heading to the shower. A silent process that involved minimal erotic touching beyond his teasing shampoo process of her remaining locks. Toweling off, he couldn’t help but observe how wonderful she looked in his gingham housecoat. Sitting on his bed in nothing else and patting the available spot. It took next to no encouragement for him to join her, pushing her back onto the mattress, letting the coat open the rest of the way. He ran his fingers through her freshly shaved hair, watching as her eyes flicked back and forth watching a rerun of Matlock. Looking around the room, he could see the bits and pieces of evidence that indicated what they had been doing just a few hours ago. Their collective outfits strewn throughout the little apartment and a slightly off kilter potted planet upon its stand. Perfectly accented by her cum stained jockstrap sitting in the sink of his studio’s kitchen. “How are you feeling after your haircut? Any regrets?” She looked up to him with a sleepy smile to say, “I love it. Almost as much as I loved giving you the keys to my cage.” To emphasize this point, she took his hand in her own and dragged them both down to the diminished bulge resting between her legs. Her thighs were already getting wet again from the pre-cum dripping from her poor, little cock. Droplets colliding with the piercing that was a reminder of the well endowed top she had been in a previous life. “One of these days, princess, I’m going to let you out of that cage. I want to see if you’re still a multi-purpose sex toy.” The low, whispered flirtation caused the cage to jump to life again. She turned her whole body with a groan and snuggled in closer under his armpit. “If you really loved me, you wouldn’t torture me so much before I had to go on stage.” He stole one more kiss from her, laughing at he grabbed the bottle of lube from his bedside table. “It’s because I love you so much that I do torture you, baby. Now let’s choose the right kind of plug for you to wear during tonight’s performance.”

 
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from Woof.group Announcements

2023 was a big year for Woof.group. We migrated from Masto.host to our own VMs hosted in a US datacenter, became an officially incorporated LLC with a formal Terms of Service, and made new policy with moderator and community input. After dramatic growth in 2022, Woof.group has become a stable community both socially and technically. We're excited for 2024.

Social

After spiking to ~1300 active users in fall 2022 and declining thereafter, our monthly active users (MAUs) rose and fell moderately in 2023. We started with ~800 MAUs, peaked at ~1050 in August, and fell to ~870 by the end of the year. Active users tend to fluctuate significantly: waves of excitement lead to migration from other platforms, but most accounts post nothing and eventually fall dormant. A smaller fraction find a sustainable home on Woof.group, and become active members of the community.

Active users over time

We take on roughly 10-20 new users per week, with some bursts to ~100/week. Woof.group still approves all registrations by hand: pretty much anyone who talks about an interest in leather or kink, no matter how experienced, is approved. We changed the wording on our signup form to be more direct, and found significantly more people writing meaningful applications. However, we still reject a significant number of applications which seem spammy or off-topic: “gay”, “leaving twitter”, “sgkljdfg”, “best essay writing services”, etc. We also, very rarely, reject applications which seem likely to violate Woof.group's policies—primarily pic collector accounts and PnP enthusiasts.

Weekly signups over time

We believe the core community on Woof.group is essentially stable. Weekly logins remain remarkably consistent at ~700/week. Our metrics for current-week logins fell abruptly due to a technical issue in November.

Logins over time

Woof.group members write 500—1000 posts per day, and generate roughly 2,000—6,000 interactions (e.g. boosts, favorites) per day. We saw spikes with an influx of new users in July.

Daily Posts timeseries

Daily interactions timeseries

Our moderators handle roughly one report per day, with occasional spikes to 5-10 per day. This plot goes negative when a user deletes their account—their reports are deleted with them.

Daily Reports Timeseries

We resolve most reports within an hour, and many within ten minutes. Some reports, especially those that require moderator discussion or investigation, take multiple days to resolve; in rare cases, over a week. These figures are cumulative for all of Woof.group's history.

Report resolution times

We introduced an official Terms of Service in 2023. We also made a number of minor policy changes, including banning “PnP” content. We also opted to defer federating with Threads, and continue federating with Twitter bridges.

We developed a formal process in coordination with legal counsel for handling CSAM: we had a few reports of CSAM content, all on other instances, in 2023. This was a part of our only major defederation this year, from h5q.net.

With the collapse of several Fediverse instances this year (notably mastodon.lol, pettingzoo.co, and bear.community) Woof.group has developed an informal policy of opening registration to members of other queer & kinky instances who need a new home, even if they might not consider themselves leather. We're happy to have these members as a part of our community, and so far everyone seems to have gotten along well. We plan to continue this habit in 2024.

All in all, our core approach to culture and community moderation remains essentially unchanged. Users consistently report Woof.group is a pleasant community to be a part of, and we are delighted to continue this work in 2024.

Financial

In the first half of 2023 the instance was, as in previous years, supported entirely by Woof.group's administrator, Kyle “Aphyr” Kingsbury. In 2024 Woof.group incorporated as an LLC and started business bank accounts, funded by an initial capital contribution of $10,000 from Kingsbury. Since then Woof.group has derived all income from donations, and pays its own bills.

Woof.group has one owner (Kingsbury), and no employees. Kingsbury continues to provide administrative, technical, and moderation services for the instance. Our team of moderators (Buster, Bootblackcub, and Mark) continue to volunteer their time. In 2023 neither administrators nor moderators were financially compensated for their work.

Given Woof.group's small income, the instance runs on a shoestring budget. We keep our costs extremely low through volunteer work, forgoing standard business amenities, using free software, and negotiating reduced rates for professional services. Our thanks in particular for the kindness of Woof.group's legal team, who assisted in incorporation, developing our Terms of Service, and policy development.

Our 2023 Profit and Loss includes $1372.53 in revenue (all donations). We incurred $1,796.04 in expenses since August: $1,030.00 in legal fees, $490.07 in web hosting (VMs & object storage), and $275.97 in other dues and subscriptions: email, mail, telephony, registered agent services, etc. Several business costs are annual and were paid before the LLC took over its own expenses; expect a significant increase in expenses in 2024.

Cash Flow Timeseries

On our December 31, 2023 balance sheet Woof.group's net financial assets stood at $9,576.49, with zero liabilities. Owner's equity remains at $10,000, with retained losses of $423.51.

Net Worth Timeseries

As an LLC, Woof.group is legally required to make at least a small profit within a few years. Woof.group aims to become a financially stable instance with a small positive cash flow in 2024. Barring unexpected large expenses—e.g. an unforeseen need for legal consultation—we believe this is possible. You can help by donating to Woof.group.

Technical

Service was generally stable, with brief interruptions for upgrades and maintenance. We tracked every security release of Mastodon. CPU, bandwidth, and memory needs were generally stable.

Network over time

Memory over time

Local disk use rose steadily from 32 to 112 GB this year. Our main disk consumers are the main database (which rose from ~8 to ~30 GB), local backups, and metrics. We have plenty of disk capacity for the next year.

Disk use over time

Postgres disk use over time

Our media storage (photos, audio, video, avatars, etc.) rose gradually from ~180 to ~220 GB. This reflects media our members have posted, as well as our caches of media from other instances. With the upgrade to Mastodon 4.2.0 our cache-clearing cron job broke, causing significant increases in media store use.

Media storage over time

The Mastodon 4.2.1 release appears to have introduced a memory leak in Redis which resulted in a slow rise in memory use over several months. Despite raising Redis' memory limits, we experienced some service degradation when memory ran low in late November. The 4.2.3 release appears (tentatively) to have resolved this issue.

Redis memory use

Worker queue latencies were generally in the 0-10 second range for most of 2023. However, we've seen increased push latencies in Q3 and Q4, and adding a second push worker process does not seem to have resolved the issue. This may require further investigation.

Sidekiq latencies over time

Our infrastructure needs are likely to rise slightly in 2024 as we accumulate more posts and media, but our current hardware should suffice for the next year or so. The largest unresolved technical challenge is the failure of our media cache-cleaning job.

Thanks

Woof.group would not be possible without you, our members. Thank you for being kind to one another, for your thoughtful, exciting, and hilarious posts, and for your donations. Our profound gratitude as well to our volunteer moderators, who take time out of their lives to mitigate spam, handle complaints about content warnings, and make tough calls on sensitive questions. We appreciate you all.

Here's to a great 2024.

 
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from Mr.Jack

Johnny looked down at the man laying on his chest, freshly showered hair sticking to his forehead, and sleepy sighs escaping from his tired body. After a long day sitting at his desk in the morning and running around the warehouse at night, he too was wanting to slip further towards sleep. He ran his fingers through the man's hair and began to let his fingers drift down further and further. After all, that was what he had been brought to their house to do.

To fuck Kyle while his husband watched and put on a good enough show for the husband to want to join in. Even though it had been a rather abrupt invitation, it was one that had been on his mind for a long time. He just wouldn't have thought he was the type for this pair of unicorn hunters.

These were people he knew from the scene, but not entirely close friends. They always hugged and kissed him when they spotted him in public. Just as they would do with dozens of other leather tops who walked through their saloon doors.

Tonight the married couple had obviously been men on a mission. While they usually touched his leather clad shoulders or stroked his ass through the heavy denim, tonight they had gone straight for his packer.

It must not have mattered to them that it was fake. The amount of silicon in the strapless strap-on that Johnny had mounted in his jockstrap raised no objection when Steven dragged him to the back office and Kyle dropped to his knees. Kyle quickly passed the zipper barrier to begin pressing his face into the prize.

Each of the slightest nudges pressed the penetrative end of Johnny's package further into his hole and forced a few sounds of pleasure from his throat. He was soon pleasantly surprised to find the other business partner's tongue on his rear entrance. Some part of him was slightly embarrassed that he hadn't showered after getting off work, but another part was turned on for all of the dirtiest reasons.

“Fuck, fuck, fuck,” was all Johnny could say as the surprise tongue pushed further into his hole. If this was their way of seducing him, it was certainly working. He let go of his grip in Kyle's very messy hair to push the man's husband's face further into his ass.

Not to anyone in particular, and maybe partially to himself, he said, “That's a good boy. You want to keep tasting Daddy, don't you?”

There was the slightest nod from the head whose mouth was wrapped around his cock. He was getting close, but there was no way that Johnny was going to admit to it when receiving pleasure like this. It was better than being out in the bar in his leather. Not with all the people snapping at his suspenders and being more interested in his scars than his cock.

Johnny lifted his hand off Steven's head to steady himself. Instead, he fel his legs fall out from underneath him. His hands caught the doorframe of the office just as his strap lodged itself further in Kyle's throat. The man pulled back with a gagging cough, wrapping himself around Johnny's leg.

Panting, the front facing partner stood up and switched his oral attentions elsewhere. Johnny felt a change in pressure as someone was bringing his jeans back up from around his boots and buckling them in front of his bulge. He lifted his hands up above his head to allow the four other hands in the situation to tuck his cock back inside of his pants. Once this task was done, he relaxed into their kissing and biting and fingertip teasing as the weight of his day flooded from every inch of exposed skin.

A few minutes more of worshipping their prospective top was all the couple needed to convince Johnny that he should come home with them when the bar closed for the night. It would be unfair to say that he jumped at the offer, but he also guessed a bad night with these boys would be better than an average night with most of the rest of the leather night crowd.

Finally, releasing himself from their embraces, Johnny simply said, “Do you boys mind if I have a few hours of fun out in the bar while you do your important work?”

Steven leaned against his back with a laugh before letting him go. He readjusted himself in his jeans, watching them watch him out of the corner of his eye. Neither man made another movement towards him. Even as he opened the door and strutted back to the barroom in a well sexed up fashion.

So, he spent the next three hours letting curious cisgender men grind up against his packing strap and run their hands under his tight black t-shirt to feel his fresh scars. Finally the harness fit nicely on his chest without too much objection from the heavy tissue or a need for medical grade spandex. It was enough to make any man confident of his ability to lay any person he set his eyes upon.

Every time a new man wanted his attention, he would look across to the bar owners and be met with their jealous eyes. He felt a certain amount of smugness knowing how badly they wanted him. Jealousy wasn't necessarily the healthiest emotion to look for in potential partners, not in the long term, but it felt very good right now. Their eyes were most definitely piercing into his back as the twinky little pup lapped at the juices leaking out around the base of the strap on.

As the puppy was finishing its job, Johnny watched as his potential bedmates created a passionate exchange behind the bar. His fingers had clenched in the poor pup's hair just as aggressively as he was now pulling at Kyle's short locks. It would certainly be interesting to see if they were willing to give a little more generously of their holes, time, and selves now that the setting had changed to the bedroom.

That is if Steven could be done with his time in the shower and come join them in bed. The running water of the other room was enough to keep Johnny from being too distracted by the pleasant memories that occured to get him up to this point. Finally, the shower clicked off, followed by steam escaping from the bathroom door, and Steven stepping out in just his birthday suit.

“He looks very comfortable all snuggled up with you.”

Steven strided into the room with no physical signs of his ears burning.

“You look like you would fit nicely in bed with the both of us.”

A few quick motions at the dresser and the birthday suit was neatly tucked away. He wore a pair of boxers almost exactly the same as the ones that he had loaned to Johnny. It only took him a few quick movements to make his way into a careful balance pose on the bed. One where he could lean over Johnny's lips without disturbing their sleeping plaything.

Before anyone else could have the chance to attempt to take over the scenario, Johnny set his record straight by saying, “As much as I want to use him, I don't want to disrupt his beauty sleep.”

“There's no rule that says you can't fuck him when he's asleep,” Steven calmly stated, placing his fingers in his husband's bare ass, and marveling at the slick lube that came spilling out. “I fuck him all the time when he's sleepy because I know he knows to be prepared for me.”

The slightest touch of finger fucking made Kyle moan against Johnny's chest. While it was hot to use someone when they were out cold, that wasn't something that Johnny had permission to do. Making him grateful that the other man was starting to come back around. He kissed the man's forehead, whispering in his ear, “I think your daddy wants you to wake up now, baby.”

Johnny slipped two of his fingers into the hole vacated by Steven. He began stretching until Kyle was moaning in a steady rhythm and Steven's jealous eyes were on him again. The other man crouched back over his husband and forced his fingers in beside Johnny's own. Kyle collapsed on his chest with a pained gasp, but Johnny flipped him over so that he was sitting on the man's cock while his husband was trying to milk every drop out of him before the fun even began.

Looking back over his shoulder, Johnny called, “Steven, be careful with how you touch his hole or else you're not going to get an orgasm.”

Out of the corner of his eye he could see Steven slinking back to an almost submissive position. Clearly he had listened to the gossip about Johnny's ability to deny even the most confident tops of the simplest pleasures in life. He lifted himself off of Kyle just enough to take off Steven's borrowed boxers and stuff them into the mouth of the man whose cock he had just slip himself onto.

Kyle hadn't been the only one to get slicked up after getting out of the shower. When he had seen the man squirting the lubricant deep into his ass, Johnny had made the decision to make that boy get him wet. Now, as the lube gushed out of him and Kyle struggled to keep a suitable rhythm, he wished he hadn't banished Steven to the edge of the bed. Rather than directly ask for help, he decided to tease them both by saying to Kyle, “Would you prefer if your Daddy fucked me, princess? Can't you handle performing on top when given the chance?”

That was enough for the boy to manage to flip them back around to a position where he was neatly sandwiched between Johnny and his husband. His first thrust after the moment that Steven had penetrated him was a rare motion of pleasure. Johnny pulled down on both men but had to settle for just one kiss until the boy spent his load inside his pussy. Perhaps a bit prematurely.

“Was that a good enough performance from a 'princess'?”

The boy collapsed against him again, hair still wet, but now from sweat.

“That was a very good performance from a very good boy.”

He looked up to see Steven smiling, slender fingers wiping away a mixture of their cum and lube. Johnny looked around for his borrow boxers. It took him a moment to find their position now that they had left Kyle's mouth. He wiped off his own fingers and tossed the rag up to the kneeling playmate. Their moment of rest lasted only a few seconds before he felt it time to introduce the next proposition.

“Now, Steven, do you want to fuck me like a good little puppy or do you want to get fucked like a toy until it's just a gaping hole?”

 
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from Woof.group Announcements

A small change to our sensitive content policy. We used to allow users to post sensitive media (Hurrah! Dicks!) with a content warning but without a sensitive media flag. Most clients add a sensitive media flag automatically to any CWed post. However, a few clients don't, and this caused reports from users whose clients hid only text, but not media, for posts with a CW but no sensitive media flag.

We now require a sensitive media flag for sensitive media.

 
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from Woof.group Announcements

Bird.makeup is a Twitter to ActivityPub bridge. It allows people on Mastodon to follow public Twitter accounts by translating accounts and posts into the API format that Mastodon (and other Fediverse servers) understand.

We've had three complaints from woof.group members about bird.makeup mirroring their personal twitter accounts. These members argue that they did not consent to having their posts distributed beyond Twitter. To the best of our knowledge, Vincent, the maintainer of bird.makeup, has not responded to Mastodon reports, mentions, or DMs requesting accounts be taken down. There appears to be no opt-out process or email contact. Woof.group has reached out to Vincent to request he create a takedown process.

Our moderation team is discussing whether we ought to suspend bird.makeup (and other Twitter bridges) for all woof.group users. Many instances (like the flagship mastodon.social, have opted to block Twitter bridges. We see arguments both for and against.


First, suspending bird.makeup will prevent all woof.group members from seeing posts from any Twitter account mirrored on bird.makeup. It will not affect bird.makeup itself, which will presumably continue to make those accounts visible to the rest of the fediverse.

In terms of impact: 129 woof.group members follow 619 bird.makeup accounts. This is a sizable fraction of our membership; it seems clear that many of our users want to use this service. However, three of our members have filed reports against bird.makeup. All complain that bird.makeup translated their Twitter accounts to ActivityPub without their permission. We have had no reports of harassment—only complaints that the translated accounts are unauthorized.

With respect to user control: short of going private, Twitter users have no ability to control whether and how bird.makeup replicates their content. This is generally how Twitter works: public tweets can be read by anyone, logged-in or not, on a broad variety of clients and browsers; tweets are also routinely embedded on third-party sites. It is unclear whether and how post edits, deletes, and making an account private propagates to bird.makeup, which might pose a harassment risk for Twitter users. Moreover, ActivityPub followers are effectively invisible to the original Twitter account, and there is no facility for Twitter users to block ActivityPub users.

In terms of legality: the bird.makeup domain does not serve web pages with user content. Instead, it provides an API allowing other Mastodon servers and clients to read Twitter content. In this sense, it functions more like a web browser, feed reader, or alternative Twitter client. However, woof.group (like any Mastodon client federated with a Twitter bridge) caches and serves this content, just as it does for all Fediverse posts. It's unclear to what extent caching carve-outs in US copyright law extend to Mastodon instances.

Finally, bird.makeup's maintainer has so far been unresponsive. We would prefer that other instances at least respond to moderation questions.


We'd like input from the woof.group community. Would you prefer we continue federating with bird.makeup and other Twitter bridges, or block them for all our users? You can email [email protected], respond to this post, or DM any of our moderators.

 
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from Woof.group Announcements

In short: you can now donate to fund woof.group!

Woof.group started off as a personal project in late 2019, and for its first three and a half years was funded entirely entirely by Kyle Kingsbury (aphyr). As the instance has grown we've taken on additional risk and costs. Many of our members have asked how they can contribute funds. To manage liability and to accept donations, we've formed a limited liability company (LLC) for woof.group. Our plan is to fund the instance entirely via donations. We want woof.group to remain ad-free, and for accounts to remain free for all our members.

Right now woof.group's costs are very roughly $350/month. This includes servers and storage, domain names, electronic and physical mail, phones, taxes, and various other costs associated with incorporation. A good deal of these costs in 2023 were related to legal consultation: setting up the company and figuring out how to handle things like DMCA takedowns, SESTA/FOSTA, reports of CSAM, and so on. Costs will likely fluctuate as that consultation continues. Administrator and moderator work are presently uncompensated, and are likely to remain so.

Kyle has made an initial capital contribution of $10,000 to keep the instance afloat while we spool up donations; this should keep us running for at least a couple years. However, as an independent financial entity woof.group eventually needs to cover its own costs. We've opened an official Patreon and encourage you to set up a monthly donation. We're hoping to hit break-even by the end of 2023.

Thank you so much for your encouragement and support.

 
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from About Woof.group

Our services

This Woof.Group Terms of Service and Member Agreement, along with the terms found through the About Woof.group Policies Page (collectively herein referred to as “Terms”) apply to your access to and continued use of the Woof.group online platform (“Platform”) provided by Woof.group (“WG,” “we,” “us,” or “our”). Please read these Terms carefully before accessing or using our Platform. By accessing or using our Platform, you agree to be bound by these Terms. If you do not agree to these Terms, you may not access or use our Platform. These Terms may be further updated periodically, and your continued use of the Platform constitutes acceptance of those changes.

1. Your Account and Eligibility to Use the Platform

To use certain features of our Platform, you may be required to create a WG account (“Account”) and provide us with a username, password, and certain other information such as an email address linked to your Account.

You are solely responsible for the information associated with your Account and anything that occurs related to your Account. You must maintain the security of your Account and immediately notify WG if you discover or suspect that someone has accessed your Account without your permission. WG will not be liable for any acts or omissions by you, including any damages of any kind incurred as a result of your failure to maintain your Account information secure. We recommend that you use a strong password that is used only with your Account and do not share your Account information with another third party.

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from Woof.group Announcements

Earlier this month we discussed potential outcomes of federating with large instances, and in particular what to do about Meta's new service Threads. We wanted to give woof.group's membership a chance to discuss the issue in advance of Threads' proposed federation support.

Feedback from our membership was mixed. On balance, respondents were opposed to federating with Meta services, but several were in favor. A few respondents indicated that they would seek an alternative instance if we did, or did not, federate. This is OK! Our members have a broad spectrum of ethical, social, and privacy positions. Most expressed some kind of caution, which the woof.group moderation team shares. There's a lot we simply don't know, and the potential risks are significant.

In short, we'd like more information. We'll be blocking Threads to start, watching other instances to see how it goes, and re-evaluating after a few weeks. Taking a few extra weeks to federate won't impose a huge burden on our users that want to interact with Threads, and if we wind up blocking them in the end, it'll be preferable not to break established connections.

Privacy

Several respondents seemed confused over the privacy implications of federation, and we'd like to go into more depth here. Federating with Threads, like federation with any other instance, does not give Threads access access to woof.group's database or other private information. Speaking broadly, federation gives Threads access to three types of information:

  1. Data which is broadly public and available to everyone on the web: profile names, avatars, bios, public posts, public following lists, and so on.

  2. Explicit interactions with Threads. For instance, if you mention or DM a Threads user, Threads would receive a copy of that post. If you follow a Threads user, or fav or boost a post from Threads, Threads would receive a notification of that activity. If you report a post on Threads and choose to send a copy of the report to Threads, they'd receive it, and so on.

  3. Followers-only posts, if and only if a Threads user follows you. You can choose to personally block the Threads domain, or approve followers manually, to control whether Threads (or any other instance) gets a copy of your followers-only posts.

This is different from the kinds of data which Meta collects from users via their web site, mobile apps, and trackers on third-party sites. Depending on circumstances, Meta can collect:

  • Your IP address, which can be tied to a rough location and used to correlate activity across various web sites, is shared with Meta any time you visit a Meta web page or use their mobile app. Federation does not reveal your IP address to Meta. Instead, woof.group's servers talk to Threads on your behalf.

  • Your email address, phone number, and legal ID, which you might use to sign up or verify your account. Woof.group does not collect phone numbers or legal IDs and cannot share them. Federation does not reveal email addresses—only usernames.

  • Your mobile device identifier, which can be used to identify you across applications. woof.group does not collect these identifiers, and federation does not share them.

  • Your browser, OS, screen size, and other device information which can be used to fingerprint you. This information is not shared via federation, except for the name of the client you use to post—e.g. “Tusky”.

  • Your location, which Meta can infer from your IP address or from mobile applications with location permissions enabled. Woof.group does not know your location, and federation does not share it.

  • Your contact list, which you might give Meta access to via their mobile apps. Woof.group does not receive your contact list, and federation does not share it.

  • Your reading activity. On both web pages and mobile apps Meta can tell what posts you've looked at, which ones you've clicked on to read more, how long you've watched a video, and so on. They also know when and how often you're using the service. Woof.group has limited access to this information, and federation doesn't share it. Woof.group caches posts and media aggressively, so Meta generally has no way to know if, when, or how often our users are looking at Threads content. If you were to look at an uncached Threads account or post using your woof.group account, Meta would only know that some user on woof.group made a request for that content, but not which one.

  • Activity on third-party sites. Meta has a vast network of cross-site trackers and ad partnerships which allows Meta to know many of the web pages you've visited using the same browser. Their in-app browsers can also rewrite web pages to insert additional tracking code. Neither of these techniques will work on woof.group's web interface: we don't have ads at all and don't include Meta's trackers on our pages. Whether a Mastodon mobile client shares data with Meta is up to the client developer, but we aren't aware of any that do.

It may be helpful to think of Mastodon instances which choose to federate-or-not as both being privacy-focused in different ways. Instances which do not federate give Meta as little information as possible. Instances which do federate are in a sense acting as anonymizing proxies, allowing users to interact with Threads without revealing the information Meta uses to build behavioral profiles and sell ads.

 
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from aphyr

As a companion to What Gear Should I Get, I'd like to talk a little about tools: paddles, ropes, batons, gags, and so on. Leatherfolk (especially Tops) can accrete massive toy collections as the years go by. But what about when you're first starting out? I'd like to show you a collection of cheap, fun, and versatile toys you can use for a variety of scenes.

We begin with a reminder that you can do a lot with your own body. The remainder of the post is organized by type of play: restraint, gags, impact, and so on. Each section starts with tools that are cheap, flexible, or easy to find, and moves on to more specialized equipment.

As in the gear post, there's no need to have any tools to be a good player. Play with no toys, or borrowed toys, and get a sense of what gets you going. Then pick one thing you think you'd like to try, find a mentor who can help you learn how to use it well, and give it a shot.

On topics: this is based on the kind of play and the types of toys I personally enjoy, and what friends & acquaintances use. There are some kinds of play (electro, for example) where I'm not well-enough qualified to make suggestions. Most of this is written for Tops, since they're typically the ones using the toys, but many bottoms bring their own toys to scenes and encourage their Tops to try them out.

A brief disclaimer: this post does not teach you how to restrain, hit, bite, gag, or do any other kind of S/M play safely or well. Some of the things discussed in this post are dangerous. Some can kill you or your partner. I assume you've already learned the basics of safety and technique for your favorite type(s) of play, or that you have a mentor who is taking you through that process. Use common sense and don't attempt anything you don't understand. Seek experienced instruction wherever possible.

Your Body

A good friend (and one of the scariest leathermen I know) quips that he doesn't need to bring anything to his scenes: his hands are enough. He's absolutely right. You can create intense, visceral, and connected scenes with nothing more than your voice, presence, eyes, hands, feet, or whole body.

Hypnosis is a great example: most hypno scenes require nothing more than the Top's voice, the bottom's ears, and a comfortable place to relax. But you can deploy your voice in so many ways during a scene: shouting to intensify pressure, quietly drawing focus, speaking clipped or relaxed. The right narration, appreciation of the sub's admirable qualities, derision for their deplorable ones, and firmly stated orders can add additional layers—or be a whole scene in themselves. One of my favorite scenes involved nothing more than me reading essays from a book to the boy at my feet.

The mouth is a magnificent instrument. Making out is an under-appreciated art, and a versatile and responsive kisser is a delight to encounter. You can kiss, lick, and bite almost every part of the body. Kiss your bottom's forehead and tell them “good girl”. Kiss your Top's fist before each punch. Chew on your partner's traps, lick their toes, create intense suction and leave bruises all up and down their thighs. Remember: each tooth does something different! If you have a beard, brush it against your partner's skin lightly for gentle, electric sensation, or rub it vigorously against them for an improvised abrasion scene.

In my experience a good deal of scene energy comes from eye contact and spatial pressure. Prolonged eye contact, or denying it, can be a powerful and complex engagement. Likewise, stepping in too close, keeping the sub on the floor (or any position lower than you), backing them into a wall, or trapping them in a confined space, can set the stage for all kinds of play.

Hands can stroke, pinch, rub, slap, or punch in endless patterns. Many of my scenes center on chest-punching. Consider every part of the hand: striking with the flats of the phalanges, the knuckles, the palm, the heel, the fingertips. One friend has mastered the art of drawing his fingertips—so lightly you can hardly tell if they're there or not—in languid, endless patterns over one's skin. The effect is astonishingly intense. Hands can cover mouth, eyes, or nose with firm pressure—-or merely hint at it. A strong grip (and some knowledge of anatomy) allows clamping-down or sustained pressure with the fingers to deliver blinding pain. If your partner is mustachioed, you can seize and pull on it with immediate effect. Another (scary) friend is capable of ripping out one's leg hair through jeans. Fingers can also be inserted into the mouth or other holes. You can grab someone's gums. Every year someone surprises me with what they can do with their hands.

Another friend specializes in trampling (which is a lot more careful and controlled than it sounds). Press your bare feet or booted heel into the sub's back, arms, or legs to keep them on the floor. Leaning your weight into one edge of the foot at the right spot can create intense pain. When you pull back, take a moment to enjoy the fading white outline of your bootprint on their skin.

Deploy your whole body. If you have size, strength, or some martial arts training, use it to your advantage: many people enjoy wrestling, being shoved around, held down, or placed in jointlocks or holds. Fuck. Cuddle. Without touching, have your partner admire your body visually—perhaps as a Mistress evaluating a new rubbermaid for service, or as an eager boy begging for a chance to worship Sir's magnificent belly.

Use your scent. Pits are great for sniffing and licking (and part of the reason why many leatherfolk forgo deodorant when play is likely). The crotch is another great spot for scent, and you can use general musk, sweat, piss, cum, and (less commonly) shit to create varying effects. Your feet have their own particular aroma which can be catnip to some players. Your shirt, underwear, socks, and shoes can all be removed and held or fastened to the sub in question to deliver scent.

Restraint

There are three main schools of restraint. Rope is adaptable to almost any scene, has a wonderful tactile element, and looks amazing. Leather, neoprene, or metal cuffs/harnesses/etc require less training to use and are significantly faster, and have an aesthetic all their own. Leather cuffs, especially padded ones, are also more comfortable for long-term scenes or ones with more struggle. Tape is cheap, fast, and flexible—but not re-usable.

Rope

For a basic rope kit I'd suggest something like a 10-foot, 20-foot, and 40-foot length. Some people might use all 25-foot lengths, others 15, 15, 30. Exact sizes depend on how thick the people are you're tying and your particular style. I use a long length (30-40 feet) for body harnesses and multi-part restraints. The short length (10-15 feet) is great for binding wrists or ankles separately and attaching to the main tie, or when you just need to go a little further to finish a tie. An intermediate length (10-30 feet) is long enough to add meaningful complexity to an existing tie, or to restrain someone to a bedframe or column, while not taking forever to pull through. 8 mm is a good general-purpose thickness.

Rope people generally swear by hemp, jute, or multi-filament polypropylene (MFP). Natural ropes have more friction, give an interesting range of sensations against the body, hold knots better, and have a nice smell. Synthetic ropes are cheaper, resistant to most lubricants, easy to wash, and come in gorgeous, silvery colors. Also, you can finish synthetic ropes with a lighter after cutting them; natural must be taped or whipped. Either natural or synthetic is a fine choice.

If you go hemp or jute, try to find a conditioned rope specifically for bondage use—the raw jute at the hardware store is going to be very scratchy. You can condition rope yourself, but it's kind of a pain. The two sources I like are Twisted Monk and Douglas Kent (who, incidentally, wrote a fantastic series of books on shibari). Also consider cotton! It gives a substantially similar feel to hemp or jute, but is generally softer, easier to find, and is significantly cheaper. You can get a 100-foot length of cotton sash cord at the hardware store for about $15.

If you go synthetic, try to fold the rope flat back onto itself, like a sheet of paper. If it resists folding flat and forms a loop instead, it likely has a core. Try to find something core-less; it'll make working with knots easier. You can buy MFP specifically for bondage from specialty kink shops, and perhaps from rope supply stores. You might also be able to find something workable at the hardware or marine supply store.

Whenever you work with rope you need a cutting tool, preferably on your person. My former go-to was EMT shears—they have an angle and a flat bit that goes against the skin to make it easier to cut away rope (or clothes) on skin. Recently I've switched to a rescue hook like this one. No matter what tool you use, you should practice cutting your rope under tension with it at least once. Keep in mind that each use dulls the blade.

Cuffs, harnesses, etc.

If they're legal in your area, I'd start with a pair of handcuffs. Handcuffs are inexpensive, durable, quick, difficult to shimmy out of, and can be integrated into all kinds of scenes. You can easily bring them to the bar in a pocket or on your belt. For some reason most sex/kink shops stock terrible handcuffs: thin, flimsy metal that cuts into your wrists, and awful locking mechanisms. Just get real ones. Smith & Wesson's model 103 stainless cuffs are only $35 new, and the nickel variety is $24. Good cuffs will double-lock, which prevents them from ratcheting tighter. This is important for safety and comfort during any kind of rough play!

If you like the direction handcuffs take you, consider a pair of leg irons or transport restraints. Note that ankle restraints that fit over boots may not fit well on bare ankles and vice-versa.

A good alternative to handcuffs or rope is chain: sturdy and generally waterproof. You can get chain at any hardware store, and cut it yourself using bolt cutters. A handful of padlocks allows you to turn a few 2-6' lengths of chain into a wide variety of cuffs, collars, harnesses, and other restraints. If you get good-quality chain (with smooth links!) it's also remarkably comfortable for long-term wear.

As an alternative (or complement) to handcuffs, you can do separate cuffs. These usually have an adjustable strap and post that can be locked with a tiny padlock. Because they're separate pieces they offer more flexibility than handcuffs: you can hook them to all kinds of things with rope, carabiners, or padlocks. Broader cuffs also let you struggle more without cutting into the wrists. The downside is they're almost certainly more expensive, and don't take liquids well.

For material, I'd start with leather. It's strong, feels nice, and when padded can be very comfortable. In my experience padding is well worth the money for wrists. My absolute favorites are Fetters' padded leather cuffs. They've been making these forever, so you may be able to snag some used.

Cuffs are where I'd start, but there's lots of options for restraints: mitts, wrists-to-ankles, thighs, behind-the-back, collars, and so on. If you're doing anything where the arms are stretched out (e.g. flogging), I've had great experiences with Fetters USA's four-buckle hand restraints—you might consider these instead of wrist cuffs. Mr. S. has a great selection of high-quality gear here that's well worth perusing.

Some vendors make neoprene cuffs. A little cheaper, washable, and comfortable, but I haven't found any I liked: they generally stretched too much and it was easy to get free.

Any time you work with cuffs or chain, you'll want a way to attach the various attachment rings to other things. Carabiners are one option, but they can be be tricky to open and release one-handed. The little tooth in many carabiners also has a tendency to shred rope. I prefer double-ended snap hooks, which can be reliably uncoupled with one hand. That frees your other hand to restrain or support the bottom.

A more secure (but more time-consuming) option is to use padlocks. You can acquire these piecemeal, but it's easy to wind up with a hodgepodge of locks and keys, and that can make getting a sub out of bondage a laborious process. If you know you're going to use locks in your play I recommend buying a set of, say, 16 keyed-alike padlocks. You may want two sizes—small locks that can go through locking posts on restraints, and large locks suitable for chain and linking one restraint to another. Start with the larger ones. I use the Abus 55/40 for my large locks, and the 65/20 for my small locks.

Pro tip: always have a backup set of keys handy. I make a set of identical keyrings: each has a small padlock key, large padlock key, and handcuff key. Grab two and you're good to go for a scene.

Tape

Duct tape is a great way to restrain people and you can find it at any hardware store. Duct tape can be used for anything from cuffs to full-body mummification. Tape can be used to gag or blindfold. Ripping it off—especially over hair—can be painful. If you want that pain, great. If you don't, you can wrap the bottom in a layer of plastic wrap first, then duct tape over it.

There's also specialty “bondage tape” which sticks to itself but not to skin; you can find this at many sex shops. This is also known as non-adhesive dry vinyl tape, and you can find it at some automotive supply and hardware stores.

My favorite tape is Vet Wrap, which you can get from any veterinary supply store. It's soft, flexible, cuttable, breathable, and sticks to itself but not to skin or hair.

With any tape, use EMT shears to cut it off. They have a special guard on one scissor blade to prevent cutting the bottom.

More Restraints

A few things to explore later: you can sometimes find heavy metal restraints. These can be incredible—the look, heft, and feel of them creates a special headspace. However they generally aren't adjustable, are less comfortable, and cost more than leather. Humane restraints are fantastic for speedy and comfortable confinement. Straightjackets and sleepsacks are the restraining equivalents of Temple Grandin's Hug Machine, but are more expensive and less flexible than basic cuffs.

Gags

You can make impromptu gags out of all kinds of materials. Bandanas, shirts, socks, jocks, and sponges can all work. Soft gags can absorb moisture; consider introducing piss, sweat, or other fluids. Obviously any gag you use needs to have a mechanism to prevent it from being sucked into the throat, and to allow for rapid removal if the bottom starts to lose it.

Master Dart has a gag idea I particularly like: a spicy pepper with a length of string to hold it between the bottom's teeth. Don't bite down, boy!

Dedicated gags are great fun, and come in endless varieties. I like ones with silicone or rubberized coatings; they're easy to clean between uses. Ball gags are a classic and can be found relatively cheaply at many stores, but their attachment points can be difficult on the lips. One of my personal favorites is a padded leather gag with a dildo-shaped insert. These fill the mouth safely, provide the sensation of a glove pressing over the face, and are comfortable for longer wear.

Ring gags and spider gags have a metal ring which sits between the teeth, offering a clear path to the bottom's throat. In my experience these are not as fun as they look: getting a ring wide enough to accommodate your insertive instrument while not ruining the bottom's jaw is tricky. Also, concentrated pressure on the teeth can be profoundly uncomfortable. If face-fucking is your thing, try a Jennings gag or Whitehead gag. These are adjustable and distribute pressure more evenly over the teeth.

Sensory Deprivation

Blindfolds are great and you can make them out of pretty much anything. A bandana, a tall sock, or a t-shirt works fine. So does vet wrap. I have a leather blindfold, but I rarely use it: the bandana or tape generally seems more secure, and I always have them on hand. With tape, you can do just the eyes, or move on to cover the ears and more of the head as you see fit.

Ordinary earplugs can help cut off a bottom from the world. I like Hear-O's, which you can find at most drugstores. Layers of tape can add to sound dampening. Some people like noise-canceling headphones, which also let you add a soundtrack!

Another great option is an ordinary pillowcase or drawstring fabric bag pulled over the head. You want material porous enough to allow normal breathing. This has a delightful valence for capture & interrogation scenes. You can also wet the pillowcase with water to introduce an element of breath play.

For a fuller sensory deprivation experience you might want a hood. These come in lots of cuts and materials, depending on what parts of the bottom you want access to. A spandex hood (or length of pantyhose) can work in a pinch, but in my book there's nothing like padded, locking leather. Those hoods tend to be pricy. This is one of those things I suggest you try in person before buying one; everyone's head is shaped different, you might find the cut or material doesn't work for you, and so on.

Another option is a gas mask. I have less experience with these, and can't make specific recommendations, but they are fun. The breath control opportunities are obvious. You can also use electrical tape to block light.

Impact

You can use almost anything in your home as an impact toy. I've used wooden spoons, silicone spatulas, hairbrushes, meat tenderizers, turkey basters, cheap wooden chopsticks, flyswatters, books, belts, towels... and one particularly memorable evening I was beaten by a Top wielding paint-stirring sticks and a crescent wrench. In general, lighter, less-dense, and flexible toys (like a flyswatter) are less likely to do damage and can be deployed over more of the body. Heavier, denser, and rigid toys must be deployed with more care. Avoid anything with sharp edges or that might break.

Floggers and paddles get a lot of attention, but if I were starting out I might actually start with what I'll call a “baton”. By this I mean a rigid or semi-rigid tool, usually tubular, sometimes flattened, about 8 inches to 2 feet long, and around ½ to 2 inches thick, and with some weight to them. These deliver a deep thuddy sensation to a muscular area like the quads, butt, or chest, and are easier to control than a flogger. They're also easier to acquire and pack well for travel. Batons are often mass-produced and can be reliably purchased online or made at home, whereas finding a good flogger can be an involved process.

If I could have only one impact toy, I'd make it a sap. These are lead-weighted, leather-jacketed batons with a flattened head. They're old police weapons, but make fantastic impact toys. Saps are small, durable, and can deliver anything from a gentle massage to deep bruises. Because they're so short and rigid, they're easier to be accurate with. Saps are not super well-known, even in leather circles, but every single person I've handed mine to has exclaimed “oooooh, this is fun!” You should be able to find something like this Boston Leather 4-ply sap for $30-40 online.

You can make batons yourself. One of my favorite things to be hit with was a ~1 foot length of neoprene-jacketed copper electrical cable, just under an inch thick. The copper gives a deep, forceful impact, and the neoprene makes it nice and thuddy. Another wonderful toy is a simple length of semi-flexible solid rubber, again roughly ½ to 1 inch thick and somewhere around 1-2 feet long. You may be able to find either of these at an industrial supply store. At your local hardware store you can likely find semi-flexible vinyl tubing. Try 2-3 inches thick, so it's rigid enough to aim and swing without wrapping around the body, but still has some give to it. The tubing deforms on impact, which softens the blow a bit, but it's still an intense experience. Another interesting option is to take a length of PVC or metal pipe, wrap a foam insulation jacket around it, and seal the whole thing in duct tape or electrical tape.

If you like working with batons, there's a whole world to explore. One of my favorites is a heavy rubber baton with a pattern of short (~½ cm) spikes on the head; this delivers a fantastic, deep bruising pattern. A friend has a short, springy rubber blackjack with a spring in the handle which lets it wiggle back and forth for more rhythmic work.

On the more-stingy side most people reach for paddles or canes, but I'd actually start with a thin, flexible rod about 8-16 inches long. You hold one end firmly and using a fingertip pull the other end back under strain. Let the tip release so it thwacks onto the skin, leaving a red mark and an instant, searing, all-sting pain. You can use chopsticks or ~3 mm steel rods for this, but a carbon fiber rod is now my tool of choice. Kinky vendors will sell them for anywhere from $6 to $40, but I imagine you could buy a solid pulltruded carbon fiber rod for $2 from a hobby store, debur the tip with a Dremel, and wrap one end with an electrical tape handle.

After baton and rod, my next choices would be a paddle, flogger, or cane. Each has their own distinct feel and applications, so if one speaks to you, there's a whole world to explore.

Paddles are mainly used for spanking the butt. In a pinch you can paddle someone with the outsole of your shoe, or any mostly-rigid flat object like a hairbrush, wooden spoon, or book. For a first paddle I'd suggest something medium-sized with leather surfaces. You can even find padded ones. Leather paddles generally deliver a slightly less aggressive strike. Wooden and plastic ones are generally less forgiving and more stingy. I find I use my smaller (8-12”) paddles more than my big ones—they're still plenty mean, but I think smaller is more controllable and offers alternative ways of playing—more rapid-fire rhythmic percussion. Heavy paddles are more about Big Single Strokes.

Floggers—a whip made with a rigid handle and lots of flexible tails—are my personal specialty. A flogging can be a gentle massage, a hurricane of concussive blasts, or a crackling, searing, firestorm of sting. I absolutely love flogging, but I also think it requires more technique (and more practice) than punching or paddling. It's also easy to get a flogger that's not well made, or not right for you. While almost anything can be an adequate baton or paddle, floggers require specific geometry and weight distribution to feel right in the hand, and those details are going to vary for people with different arms. Try to get a well-made flogger, and if at all possible, try it out before purchasing.

Check the tail length: as a starting point, look for tails roughly as long as your arm from shoulder to fingertips. Balance the flogger on two outstretched fingers: the center of gravity should be somewhere in the shaft close to the neck, where the tails emerge. Whack your bare forearm (or friend) with the tails and note the feeling of the material used: is it slick, is it fuzzy, is it light or heavy, cutting or gentle? Throw it several times: can you reliably swing and snap it? Some floggers feel better thrown holding the shaft like a sword, and others better with the butt as a sort of ball-joint in your hand, between middle and ring finger.

I'd start with something in the style of House of Markus' classic flogger: plain flat leather tails, leather handle, weighted shaft, thicker neck and butt. You can find similar floggers from most of the big leather vendors; expect to pay $150-200. Buttless designs can slip out of your hand and can't be thrown from the butt. Wooden handles can chafe, requiring gloves to swing from the butt.

For tails, I'd go with leather first. Deer or elk are great to start: soft, buttery, and good for warmups, but they can still deliver a significant punch in mid-to-late scene. Bison is more intermediate. Cowhide varies. Bullhide is generally much more vigorous. Oil-tan leather lends extra weight, slap, and bite. Rubber is very slappy and stingy; I don't recommend it to start. Rope, pelts, and hair are more specialty toys. For a great overview of materials, see Happy Tails.

You might also consider finger floggers like these, which are held by the fingertips through two loops, and where the tails swing freely on a swivel joint. I like the pair I have, and I think they're a little easier to learn to throw, but I also find I use them less frequently—they top out at a lower intensity than my scenes usually demand.

Canes are long rods used mainly for spanking the ass. They deliver fantastic linear welts and bruises. I only have one: a roughly 2.5-foot long,1 cm thick acrylic rod. I like it, but I'm not experienced enough to give good advice here—consult a caning expert!

Singletail whips take specialized training and months of practice to use properly—and even then, many bottoms aren't up to having their back turned into hamburger. Consider them a specialty tool for later in your career.

Tits

Nipples are a delight to work over with your hands or mouth, but a few inexpensive toys can open up even more options. I'd consider suckers, clothespins, and clamps. Any of these are small enough to bring with you to the bar, and are relatively inexpensive.

Suckers answer the age-old question “What if nipples, but bigger?” They increase size, which makes clothespins and clamps more fun. They also build sensitivity. Some use a screw mechanism and a plunger to achieve fantastic size, but their moving parts and two-handed use makes them less easy to re-position and harder to clean. My personal favorites are the Oxballs GRIPPERs, which are sturdy rubber. Just pinch, press, and release to create suction. You can find them at pretty much any fetish store.

Ordinary clothespins are inexpensive and easy to find. Attach a pair or six directly over or around the nipple for fantastic results. But tits are just the start: you can affix clothespins to almost any part of the body where the skin is loose enough to grasp. And because clothespins are so cheap, you can easily purchase a hundred and spend all evening attaching and removing them to your bottom.

You can dip clothespins in plasti-dip to make their tips rubberized. For an extra thrill, run a string through all the clothespins and attach them in strips over the body. When you're ready, use the string to rip off all the pins in dramatic fashion. Turn friends briefly into enemies!

Clamps come in endless variety, but all offer some mix of compression and tugging. Clothespins are technically a clamp, but their low friction means they really only offer compression: tug on them and they'll come right off. Clamps with rubberized or grippy teeth let you pull on the tits, attaching the bottom to objects, weights, or other people. Like clothespins, their compression can also turn delicate touch into an exquisite blend of pain and pleasure. You can find small spring-loaded clamps at hardware stores and hobby shops, and a wide variety of specialty devices intended for nipples at most fetish stores. My favorite are Clover clamps like these, which tighten when pulled on. Clamps with a thumbscrew allow you to adjust the level of pressure delivered, which is a great way to ease someone new into play.

Piss

Pissing on or in people requires no gear at all, but a few items can make a piss scene even more fun. Some can be found around the house; others are specialty gear.

Look for ways to soak your bottom so they can enjoy the moisture and scent for longer. You can accomplish this by having them remain clothed. You can piss on a jock or shirt and shove it in their mouth. You can also tie a towel around their face, and having the bottom on all fours, piss on their back so that the urine runs into and soaks the towel. The moisture and scent in each breath is fantastic.

You can recycle piss using any glass or beer bottle. Order a bottle at any bar, drink it, duck into the bathroom, and refill it. Now your boy has a drink too, and nobody's the wiser. Do not, as one of my friends once did, leave a recycled beer unattended where your mother might reach for it to take a swig. (Thankfully, everyone within reach dove to prevent her mistake).

Condoms or water balloons can be filled with piss and deployed to all kinds of interesting effects. Toss them at boys as a part of your summer barbecue. Master Dart teaches a delightful predicament class involving a strip of electrical tape with thumbtacks through it. He affixes the spike strip to the boy's forehead, then suspends a piss balloon above in some kind of precarious position: for instance, tied to a tongue depressor which another boy must hold between his teeth. You make up the rest.

Household funnels can be great fun. You can sometimes find angled funnels at auto supply and hardware stores, or crimp on a length of tubing to make them more useful for someone with their head upright. Get creative.

There are also dedicated gags for watersports, like this one from Invincible Rubber, or this mini-urinal gag from Oxballs. These tend to be fairly expensive, so I'd start with an ordinary funnel and see how things go.

Assplay

Condoms, lube, dildos and plugs work the same as in vanilla contexts. Use toys designed for anal play, with a flared base so you don't lose them inside. Depending on your risk tolerance, you can use condoms, soap and water, an antiseptic toy cleaner, boiling, or (if you are very lucky) an autoclave when sharing toys between partners to reduce the risk of cross-contamination.

In general you want to use water-based lube with toys. I generally avoid oil-based lubes; they can degrade some materials. Some toys are OK with silicone lube; check the manufacturer's advice. For heavy assplay, fisters swear by J-lube and K-lube. These lubes must be mixed before use, provide long-lasting fun, and are harder to clean up. Lube can become cross-contaminated as well, so use a pump or squeeze-bottle dispenser.

Fisting and fingering is safer and sometimes more comfortable with gloves. I like nitrile—some people are allergic to latex. You can buy them in bulk at most drugstores, Costco, medical supply shops, etc.

Assplay is messy—think ahead to make cleanup easier. One fisting bottom taught me to buy plain white towels in bulk; you can launder them with bleach on the hottest cycle. Another trick is puppy pads, which absorb liquids readily; you can crumple up and dispose of the entire pad after play. Helpful for piss too!

Hypno

Hypno scenes in person usually need nothing more than your bodies and a comfortable place to relax. If you're doing hypno remotely, I highly recommend a quality microphone as a top, and a pair of wireless noise-canceling headphones as a bottom. A phone or tablet stand that can aim the camera at you while you're zonked out is also helpful.

Charting Your Own Path

This list is based on what I keep in my toolbox, and what I've had used on me over the years, but it is by no means exhaustive—there are so many aspects of play I haven't touched on here. Ultimately, the best tools are what work for your body and your styles of play.

The best thing you can do to build your toolkit is to play with people. Do scenes and see what you love having used on you. Invite them over with their favorite gear for show-and-tell. Wander through vendor marts at major events, or pop into a leather store if you're fortunate enough to be near one, and your head will fill with ideas.

And wander through the hardware store. Home Depot is a gold mine.

 
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from aphyr

CLAW, 2023.

F stands at the head of the conference table—lithe, calm, focused. In one of her arms is M, who I know as an accomplished whip bottom and charming gentleman. His head rolls back to nuzzle gently into her ear as she cups the meat of his chest. In her other hand, poised and pressing gently into his diaphragm, is a knife.

“He's choosing to breathe into the tip of the blade,” she murmurs with pleasure. “Which is a good choice.” The audience leans in, silent.

“Some people stop breathing altogether. That's also a fun choice.”

She drags the tip gently along his flank, leading with the back of the blade. A fine ribbon of pink blooms in its wake and M's eyes roll back in his head. I know exactly what he's feeling. Some tumbler inside me, pins delicately lifted by the tip of that blade, has clicked and rotated into a new configuration.

This is the same technique that C introduced me to at NAB years ago. I remember the intent focus and shuddering intimacy as his fingertips traced along my back—so gently I could at times barely tell if they were there. Something about the lightness, the slowness, and the electric intensity of his attention turned his touch from a caress to something far more powerful. Before C, I hadn't realized that light touch could be a form of dominance, or an act of devotion.

“I've done knife play as aftercare.”

It's a rare gift—no one I've met since has done it like C could. And although it's become a core part of my own repertoire as a Dom, the boys I play with rarely say they've encountered it before. This is why it is so striking to see that same rapturous precision, that same savored, intentional delicacy, in F's movements. But instead of fingertips, she delivers it with all the weighted symbolic promise of a blade. Holy fuck.

At runs I've seen the aftermath of carvings. Blood dripping from G's shoulder and his brassy riotous laughter. J's overwhelming brutality and the sobbing agony of D, muscles racked in devotion. I understood this, like all S/M, to be an expression of love, and one that I could one day experience myself. But I knew that if I wanted to play in that way I'd have to choose my partner very carefully. That in order to bottom, I'd need to steel myself for intense pain and be prepared that I might carry the scars for years. That any boy I topped would need to be prepared for the same thing.

“I have done an entire fear play scene with a couple ropes and a nail file.”

I knew, in an academic sense, that knives could be more than carving. An acquaintance once related the story of a very hot pick-up scene involving a shaving razor in the bathroom of a gym, and the boy was never cut. I knew that a credit card or fingernail could be an alternative to real blades—and I'd simulated my fair share of knives before. But I hadn't recognized that this light tracework, or flat or back of the blade, or even a dull instrument incapable of cutting... could be elevated to an art form. A whole scene in itself.

I immediately resolve to Get Good At Knives.


There was, of course, an detailed and helpful opening discussion of safety: situational awareness, knowing one's bottom, managing riskier areas on the body: the front of the neck, the head, the hands, most obviously. Sanitizing with CaviCide—not isopropyl—between every use. Keeping bandages and coagulants on hand. For this surface play F suggests Betadine might be overkill, and I believe it, but I intend to discuss risk profiles with a few doctors so I have a better grasp of how to present risk to those I Top, and what I'm prepared to bottom for myself.


Intensity of desire. “There's a part of this that's like... fisting, to the Nth degree. Screw the large intestine: I want to get my hands up into his small intestine. And he sees that part of me.” M is backed into the counter, gazing fixed into her eyes. She holds the knife to his center, caressing him with one free hand.

“That part of me is real,” she continues. “I never let it drive the bus. But sometimes as the bus goes by, you might see it in the window... with its nose pressed up against the glass.”

I am reminded of Joseph Bean's conclusion that successful scenes depend on the balance of one's “lion”—the predatory, vicious drive to conquer and kill—and one's love—the compassion, care, and technique that maintain the physical and emotional safety envelope. I am well aware that in every deep scene I love wholeheartedly. But I think about the lion less, despite its obvious presence. A good thing to remember.


“Keep a hand on your bottom near where you're working,” F suggests. “You'll feel the flinch before you see it.” The two are in constant contact throughout the class.

As for sharpness, both dull and very sharp blades have their purpose—but not every one is appropriate for every kind of play. A dull knife can be pressed into the skin more aggressively, where a sharp blade would immediately cut. Fine cuts, she notes, take time to show up. F tests her blade on herself, usually along her flank, as she sharpens it.


Hard and soft techniques, F explains, can be combined with hard and soft emotional tones. The soft techniques include pressing the flat of the blade into the skin, sweeping lightly over the flesh, dragging the tip, or scraping. One can palm a skewer or a throwing knife, and depending on fingertip angle, contact with only skin or the point of the instrument. Hard techniques, she continues, include dragging the tip more firmly. She presses the tip between M's ribs, and holds it there. Pinches to create a pocket, and presses the point in. Adjusts the angle over the bone of the sternum. Uses the point to pin M's hand, ever-so-carefully, to the table, as a reminder not to move.

“Soft does not necessarily mean sensual.” In an unshaking movement her blade is up against M's neck: barely touching him but full of malice. Eyes cold, breathing slow, dead silent. The shift in their energy is breathtaking. Moments later he lies on his side, head in her lap, while she draws the edge against his flank, and he moans with the pain of it. Here, then, is a hard technique combined with emotional softness.

K told me last year that one characteristic of my own style as a Dom was the interplay of tender and vicious tone. We analogized with musical voices in harmony: melody and counterpoint. On reflection my own play incorporates a broad range of technical and emotional tones, but I intend to be more intentional in exploring that space, and in looking for unusual combinations of the two dimensions.


B lies hogtied, blindfolded, and still on the carpet. I've worked his ass over with a springy blackjack; we are into the meat of the scene. Now the tone shifts as I hold the back of his neck firmly in one hand and growl into his ear. “You asked me about that knifeplay class I took last weekend.”

I am probing, indirectly, for consent. Feeling for potential landmines before I bring a new instrument into our play. As I begin to describe F's technique he gives an appreciative whimper, and flexes slowly within the ropes. Confident in his response, I hold the back of the blade against the side of his neck.

His fear is acid blue, static-charged but not yet arcing. Breath quickens into near-panic, then relaxes slowly as I trace the blade down his back. I keep one hand close to where I'm working, and scraping, draw his focus into the ridge of his scapula. I fold the skin over his ribs, and apply slow, focused pressure into the pocket.

He gasps in pain. The lion shifts.

Then I am snarling into his neck, ready to bite down hard, and holding the blade to his parted lips. “Feel that, pup,” I order, and his tongue gingerly emerges. “Is that sharp? Or is that a butter knife?”

“I... I can't tell,” he says, and I laugh, rolling off him. He's been safe all along.

 
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from aphyr

I've had a few people starting out in leather ask me, “What gear should I get?” Perhaps they're on a budget and can't afford new boots, let alone a full formal look. Will they still be taken seriously? Or they've just found out about pup play and have planned an entire outfit—custom mask, paws, etc. They want to know if they should jump in and get the whole kit in order to try a scene. These questions (and talking with friends about their favorite gear) have me thinking about my own early forays into leather, and what I wish I'd known when I was starting out.

I want to start off by explaining what gear is and why we wear it. Then I'll offer permission to break what anyone claims are “the rules”. That said, fashion is in part about communication and group affinity: it helps to be aware of the norms for the space you're going to be in. We'll cover some of the common codes leather people use to read an outfit and how to deploy them. Then I'll talk about ways to find gear. Finally I'll go through a list of specific pieces, starting with ones I think are particularly beautiful, useful, inexpensive, or flexible. You can pick one or two pieces to start with (or nothing at all!) and get lots of mileage out of them.

This is a personal, not a universal narrative. It's based on my experiences in leather spaces from ~2010 to 2023, including bars, street fairs, runs, clubhouses, dungeons, and house parties, as well as reading and conversations with friends. My background is mainly in San Francisco, Chicago, and Cincinnati, as well as visits to various US and European cities—Portland, Seattle, New York, Atlanta, Fort Lauderdale, Provincetown, a slew of smaller midwest cities, Berlin, Paris, London, etc. Take what resonates with you. If you find a piece of gear you love and it's not here, embrace it. If my advice conflicts with your personal feelings or local culture, do your own thing!

On gender: I'm a masc-ish cis gay man, and my advice here is going to be mainly about masc-oriented and all-gender queer spaces. Some is applicable to people and spaces more on the enby or femme side of things, but I'm nowhere fluent in their codes. Use your best judgement and consult with people you trust.

Why Gear

In this post I use “gear” to mean “the stuff we wear when we're doing leather”: going to bars and events, playing at home or in dungeons, or just to make household chores more fun. We'll cover tools like floggers and rope separately.

Gear is rarely necessary, but it can be a lot of fun. We use gear to look and feel good. In social settings your gear signals group affiliation, suggests your interests, and attracts (or deflects) attention. In play, gear can build headspace and connection between you and your partners. Gear also serves a variety of practical purposes, from pockets to impromptu blindfolds, gags, and impact toys.

Some people are gear pigs: they love the look, feel, and scent of material or a style of gear. For others, like me, gear is fun but incidental to community and play. Some people don't care at all, and that's fine too!

Do What Feels Good

“That's a Sir's cap,” “You shouldn't have a lock on that collar,” “Never mix black and brown leather”, “If you didn't earn it, don't wear it.” Prescriptivist rules for leatherfolk are inescapable. Sometimes these come with purported historical origins: an “old guard” way of life. Others are the product of fantasy subcultures—there's no shortage of memes on Tumblr or stories on Nifty which describe a world with strict rules for dress. These rules often describe how person or leather family lived, or the norms for a bar and club. They can be good fun. Use them to inspire your own dress, if it resonates with you.

But leather—a culture of “sexual outlaws”—is not and has never been a monolith. Take “old guard” rules with a heap of salt: practices in the 1970s varied from coast to coast and between bars, clubs, and individuals, just like today. For every regimented full-BLUF-look leatherman, there's a radical faerie embracing full genderfuck; for every beer-swilling stone leatherdyke most comfortable in her Levi's, there's a goddess in brilliant turquoise head-to-toe latex. The US left/right active/passive code differed between east and west coasts and took years to settle. Gifted leather is a true delight but many of those OG leatherfolk bought their gear from shops or catalogs. Some people have collaring and covering ceremonies, but others just find a cap they like and run with it. That's OK!

In short: don't let a rule get in the way of having a good time. If it looks or feels good on you, if it expresses who you are (or who you want to be), if it attracts the kind of people you want to play with, or fits into your play, you should (broadly speaking) feel free to do it.

Working with Norms

The lack of hard-and-fast rules doesn't mean that leather has no cultural norms. Being cognizant of these norms will help you enter and participate in leather spaces, even if you choose to color outside the lines.

How strong these norms are depends on the kind of space you're in. When playing on your own you can generally wear whatever you want. With partners, you need only negotiate between the two (or five) of you. A public street fair like Dore or Folsom Europe embraces a riotously diverse range of looks. Runs like Gearup and Inferno have a similarly broad range of looks. These days remaining US leather bars generally have a relaxed dress code; sneakers and cargo shorts are usually fine at the SF Eagle. Some backrooms may insist on boots, and perhaps a vest or harness. Some bar nights or club events (like BLUF) may have a strict dress code—exclusionary boundaries are a part of what makes those affinity spaces possible. Private parties vary from “totally informal” to “everyone MUST be in a latex cocktail dress”; consult your host.

If you don't know the norms of a space there are several ways to find out. One is to ask someone who's been before—they can often tell you “Oh, yeah, a singlet would be great there” or “Definitely boots, not sneakers”. If the event organizers post photos of previous events, you can use them to get a sense of how people dress. You can also use event posters as inspiration—they often give a clue as to the general vibe the organizers are going for.

If you are at a loss for ideas, you can generally fit in at almost any bar or event with a pair of boots (think work, motorcycle, or combat boots), jeans, and a plain white or black T-shirt. Simple, classic, and accessible. There's a reason the earliest leather bars and clubs were often referred to as “Leather/Levi's” spaces! Add a handkerchief, or a leather wristband, armband, gloves, harness, vest, jacket, etc. if you like.

Finally: if you're not sure, stop worrying about gear and just go in whatever you're comfortable in, or what you think makes you look good. The worst thing that could happen is the bouncer might say “Sorry, not tonight”, and you have to politely excuse yourself. Perhaps you might feel a bit out-of-place. I've had both of these experiences myself. If you have social anxiety (hi), it can help think of this as intentional practice.

Speaking in Code

Speaking broadly, leatherfolk attach specific meanings to dress: colors, left vs right, collars, and so on. Knowing these codes will help you communicate with others—both by understanding how they're dressed, and by giving off interesting signals yourself.

Left Vs. Right

Something worn on the left side of the body generally signals a top, active, or dominant interest. Something on the right signals a bottom, passive, or submissive interest. A pair of keys hanging on their left belt loop? They might be a top. Wallet chain on the right? He might be submissive. Or maybe he just keeps his wallet there. I'd say about half the time left/right doesn't carry any particular meaning. To find out, you've gotta ask.

You can use this left/right polarity to signal your general alignment with keys, chains, toys, handkerchiefs, wristbands, armbands, to some extent watches, and basically any gear worn on one side. You can also use both sides at once to signal versatility (or distinct interests in each direction), or just that you appreciate symmetry. It's far from mandatory, but it is a way to hint at your general orientation and set the stage for conversation.

The Hanky Code

The hanky code uses colors (and to some extent materials) to indicate interest in various kinds of play. We call this “flagging”. Interpretations vary once you get off the beaten path, and many of the more obscure ones I've never seen used.

The most common ones I see are:

  • Navy Blue: Fucking.
  • Light Blue: Oral.
  • Yellow: Piss.
  • White: Jack-off, also cum.
  • Brown: Scat.
  • Red: Fisting.
  • Gray: Bondage.
  • Black: Heavy SM. Often used for impact play and other pain-related sports.
  • Teal: Cock & Ball Torture.
  • Houndstooth Biting.
  • Purple: Piercing.
  • Hunter Green: Daddy/boy, Sir/boy.
  • Orange: Anything, anywhere, any time.

Again left usually signifies active, and right passive. A notable exception is orange. Some folks say orange right means “nothing right now”, but I know several people who flag orange right to mean “anything, submissively”. I think it's like 50/50. Always ask.

The classic way to deploy the hanky code is with a colored handkerchief hanging out of one's back pocket. Handkerchiefs are great for flagging: they're inexpensive, pair well with many outfits, and are easy to find in e.g. fabric and costume shops. It's also less ambiguous: lots of people wear colored shirts, but a handkerchief is a more intentional thing.

However, there's a long-standing tradition of using the code for all of one's outfit colors: Graylin Thornton describes Alan Selby at the Eagle insisting that the color of one's socks had to match their kinks. Leatherfolk often incorporate colors into their gear through piping, stripes, or the base material. I was once picked up by a gentleman in the IML market simply because I had on a red T-shirt. He asked if I was into fisting and I said no, I simply liked the shirt. This led to a lovely conversation and a mind-blowing scene later that night. Months later he taught me to fist him, bringing things full circle.

Common gear colors—black and brown leather, white or black shirts, blue jeans—usually aren't interpreted as a specific signal. I think the consensus among most leatherfolk today is that colors are simply too much fun to limit yourself to your particular kinks, and that you should feel free to wear whatever colors you like. Just don't be surprised if someone asks about it, because there's a good chance an outfit color does signal a particular kink.

If you know you have an interest in a specific thing—or if you'd like to be introduced to it—try flagging that color! Just be honest about your experience and interests when someone asks. And... maybe hold off on orange until you have a sense of just how much “everything” could mean.

Collars

Collars are usually chains, steel, leather, rope, neoprene, or textile around the neck. They typically signal that person is in some kind of submissive relationship. A padlock is usually a sign of a stronger, longer-lasting bond. A less serious closure, like a padlock left unclosed, a hasp, carabiner, or snaps, may denote a weaker bond. I see this infrequently, but I've read that an unclosed padlock can signal you're hoping that someone else will put the lock on you—either for the night or years to come, and I think that's charming.

Collared people generally have rules. These can be very broad—many are polyamorous or at least open for play. A collared person might have latitude to talk with and play with anyone they like. They might need to seek permission from their Dom before playing, or only be able to engage in certain kinds of play. They could also (and this is less common) have very strict restrictions. I've met collared slaves who were forbidden from talking to strangers without their owner's permission.

Some leatherfolk won't approach someone wearing a collar, either because they assume that they need to engage that person's owner first, or because they're looking for someone who's unattached. Conversely, collars can sometimes attract interest: you may be perceived as a possible partner for submissive play, or someone may just think you look hot. Like wearing a wedding ring, people treat you differently.

For pups, I don't think collars are as strong a relational signal. For many pups the collar is a marker of pup identity or pack membership, rather than belonging to someone specifically. Others collar themselves. A lock on a pup is usually a stronger signal than just a ring and tag, or some other closure.

For new folks I suggest holding off on wearing collar in public until they've got a little experience. There are lots of other ways to signal submissive interest, if that's what you're looking for, and wearing a collar might prevent you from making some fun connections.

A piece of etiquette, while we're here: never touch someone's collar without permission. Some folks are fine with it, but it can be a deeply personal thing.

Hats

The classic Muir cap, often called a “cover”, can carry a dominant valence and connotes a degree of experience. For many it indicates they're engaged in more of a Sir or Master role. Some people take offense to wearing a cover you “haven't earned”, though plenty of Doms worth their salt just purchased theirs at a shop.

Wearing a cover might close off the option to play as a sub. As a newbie there's also some risk of being perceived as lacking the experience to back up what the cap implies—it could feel like “false advertising”. I generally don't advise that new leatherfolk wear a cover until they're comfortable operating in leather spaces. Personally, I've been playing mostly on the Dom side for years and I still don't think I could pull one off.

For men, a less formal leather cap with a matte (rather than glossy) bill, an even crown, and minimal trim, like this one from Mr. S, can be a good alternative. You'll sometimes hear this called a “boy's cap”, though you'll see all sorts of people wearing one. Likewise, garrison caps are loosely associated with leatherboys—they also, for obvious reasons, carry a bit more of a regimented/military vibe. Ball caps (either leather or textile) can be pulled off by basically anyone. Cowboy hats are just fun.

I think of these hats as broadly masc-coded, but through the magic of ✨ gender ✨ you can integrate any of them into a hard butch, enby, or predominantly femme aesthetic too. Codes for femme hats in leather are a mystery to me, though I've seen some fabulous fascinators in my time. Enby hats are a Tier III tech I have yet to unlock.

Hints, Not Boxes

To repeat: none of these are hard-and-fast rules. Pups frequently collar themselves but are looking for a handler. Lots of people wear red but don't fist. Treat all of these codes as conversation starters, but don't rule someone out just because of what they're wearing!

Acquiring Gear

Discover Looks

Watch people. No, really, watch them. This can be a little weird if you're used to downplaying bodies, sex, and clothing, but it's a skill worth practicing. Look at the cut and how it falls on their body; what it shows off, what kinds of feelings it brings up in you. Are there referents you can identify? Watch how people interact with the gear: where do they tug, how do they look at it, what parts of the body do they touch? Be polite about this, of course. We're talking a few glances, not a prolonged stare. If someone's talking to you, you can look more.

If you like something, it's often okay to approach someone and ask about it. “Hey, you look fantastic in those pants. Can I ask where they're from” is a perfectly serviceable opening line.

Photos and videos are a great way to find inspiration. Film and photo exhibitions are good for this, but also consider porn, photobooks, graphic novels, and social media. Find images that you linger on, that you return to again and again. Can you incorporate some aspect of them into your own style?

You often don't know what you'll like until you see, smell, and feel it on you. Take as many opportunities as you can to try things on: at shops, vendor marts at events, swap meets, and with friends.

What You Have Already

Chances are you already have a lot to work with at home. Go through your closet with an eye towards playing with power, gender, and class. Think about the archetypes you'd like to embody that day. A pair of high tops and your favorite underwear might be all you need for a great scene or a dance party. Those cargo shorts and faded ball cap could be bear catnip. Your girlfriend's lace panties might look great on your furry thighs. A pair of work boots, wool socks, and a yellow checked flannel can melt the iciest of lesbian hearts. Levis and a bomber jacket is serviceable barwear. And suits! Suits are a whole thing!

Consider sportsgear. Those football pads, wrestling singlet, or rugby uniform can make for incredible scenes. Helmets and gloves can be transformative. The same goes for safety equipment. Motorcycle gear can be an erotic goldmine, as can wetsuits, welding helmets, and woodworker's aprons. Uniforms too—an air force flight suit or UPS browns can make for a great scene. Jumpsuits are especially fun when unzipped low at the bar.

If there's a part of your body you (or others) like, show it off by going slightly too tight. Shirts and pants can be made much more fun with a pair of scissors: convert a tee to a crop-top or rip a hole in the crotch, legs, or ass of some old jeans. You can also make a more formal look slutty by leaving something out, or substituting something inappropriate. Wearing a jacket? Maybe lose the shirt under it, or replace it with mesh or spandex. Or a harness. Or rope from the hardware store. Another thing you can leave out is underwear: even if nobody else notices, it changes how you feel.

Grab the gender knobs and twist them with wild abandon. Dress to play up your beard and fur, or shave your legs. I have a friend who shaves his entire body (even eyebrows) for an intensely submissive trip. If you're usually femme, try a jockstrap. If you're usually masc, try lace. Corsets and heels can be for everyone, just like denim jackets and boots. You can do a lot with hair and grooming too.

Friends

Friends are an under-rated way to try out gear. Ask your friends or play partners if they have anything they think you'd look good in, and try it on. You can just hang out or make it part of a scene. If you find something you like, many of us give, trade, or sell pieces to friends. I've lost track of how many jockstraps I've sent home with friends as post-scene prizes. You can do this through the mail too, if you have friends online.

Used Gear

You can get a surprising amount at thrift shops. If you like fucking with gender, just wander in to the “wrong” (read: fun) side of your local Goodwill and start getting creative. Used sporting goods stores are great (especially if you're a scent pig), as are military surplus shops.

Another good source for used gear—especially when you're looking for something specific—is eBay. There are also fetish-specific marketplaces like Second Skin, though prices can be inflated for rare or “well-used” pieces.

You can find swap meets at leather runs like Gearup and Inferno, and sometimes local leather contests or bar events. This is a great place to discover unusual pieces and to get a good deal on them.

New Gear

If you have a local leather/fetish shop, or can visit one while traveling, it can be a great way to find gear—they'll have a broader selection. Most major leather/fetish/etc events like Folsom, MIR, IML, CLAW, and MAL have fantastic vendor marts where you can compare pieces from makers all across the country. You can also find pop-up shops and individual leatherworkers at bars, campgrounds, and runs.

Buying gear online can be trickier: you can't see it on your body and have to wait for the post. That said, you'll have a broader selection, and it's a good option if you don't live in a leather Metropolis. I've had good experiences with Mr. S, Rough Trade, 665, Boxer, Doghouse Leathers, Full Kit Gear, Barking Leather, RoB, Regulation, Northbound, Nasty Pig, and SlickItUp, to name a few.

If you're into high-viz workwear, uniforms, sports equipment, etc, you can often buy it directly from the manufacturer or at specialty shops.

Material matters. Cotton, rubber, neoprene and lycra stretch! Leather, not so much. Leather shirts and pants might fit off the rack, but if your body isn't close to their form it may require custom work. Harnesses are often sold off the rack but left unfinished; they measure them on your body and cut & finish the snaps while you wait. This is easy in person, and trickier remote. Gloves, caps, collars, wrist and armbands are easier to measure yourself. Boots... your mileage may vary. As with any footwear, try them in person if you can.

Custom Work

If you're after something custom, you may be able to find a local craftsperson (or ask one at an established shop) to make a piece for you. Most leather shops will do custom work, and some smaller vendors like Dirty South Leather specialize in custom. This is usually going to be a bit more expensive, so I think it makes sense to hold off on custom pieces until you've got your heart set on something.

If you see someone with unusual gear you like, ask where it's from!

Specific Pieces

This is the list I wish I'd had when I was starting off as a leatherman, based on how I've come to play and how I like to look. It starts with pieces that are more versatile, practical, easier to find, and less expensive, then moves into more specialty items. Nothing is mandatory; these are merely suggestions. I generally suggest trying one thing at a time and building up over years, rather than buying All The Gear Up Front. Most of these pieces work with each other and can be used in a variety of looks.

A safety disclaimer: this post talks about ways to play, but is not an instructional manual for those things. There is no detailed discussion of safety or technique. Don't attempt to (e.g.) gag or hit someone without obtaining proper education.

Nothing

You do not need a single piece of gear to be leather as fuck. None. Play naked. Go to the bar in your street clothes. Masturbate wrapped head to toe in yellow caution tape. Gear pigs may disagree, but in my book leather is about headspace and connection. Neither requires gear.

Headspace is what goes on inside your mind: realizing fantasy and exploring aspects of your personality that might not normally be expressed. Can you feel yourself as the powerful, demanding vixen with a pack of kittens at her beck and call? Can you be the dumb, horny, drooling jock? The loving, obedient, and protected leatherboy? The domineering and aggressive Sir? With practice, you can do all these things in what you're wearing right now.

You want to be a pup? Find a patch of carpet and get on all fours. Wag your butt. Nose a ball around. Give a few howls. Ideally, get some scritches from a trusted pal. If you managed to shake off your human cares for a minute and experience a momentary joy, congratulations! You're a real pup now. You'll find your certificate and official membership card in the mail.

Connection is how you relate to other people. Can you socialize in a way that makes them feel appreciated and seen? Can you empathize with your play partners? Give them your vulnerability, and honor their trust in you? Can you excite, arouse their anger, inflict exquisite pain, softly stroke, and comfort them? Receive those sensations and give back your attention, resistance, delight, and gratitude? Can you do these things safely and consensually? This requires experience, social intelligence, integrity, creativity, charisma—but not gear. Some of the most intense & skilled leatherfolk I've played with lived in a pair of worn jeans, a fading tee, and Skechers sneakers.

The right gear can foster headspace in you and your partner, and help build connection when you play, but it's not required.

Great. So what if you want to add a piece of gear? I'd start with...

Boots

A pair of leather boots is one of the most versatile pieces of gear you can own. You can wear them with shorts or long pants, kilts, dresses, textile, rubber, neoprene, leather, masc or femme looks. In a neutral color they'll work with almost anything. Boots are an essential element for most code nights, and paired with jeans and a tee are a perfectly cromulent bar look. Their weight, patina, and protection contributes to headspace whether you're feeling Sir, boy, or switch.

Boots can create connection. People will strike up conversations about your boots. They'll comment on the quality of your shine, or ask where your scuff marks are—have you been on your knees recently? They'll get down and lick them, which can be a whole scene in itself. You can also press the tread into someone's skin (clothed or nude!) for intense effects.

Boots can fill time. If you walk into the bar, know no one, and are scared to talk to people, you can fill 30 minutes by sitting down in the bootblack's chair and letting them work their magic. You now have a perfectly legitimate reason to be there.

I'd look for something like the famous, now increasingly-difficult-to-find Corcoran 995 10-inch side-zip jump boot. You ought to be able to find something similar at a military surplus store or boot shop in the $100—$200 range new, or ~$25 used. Leather culture draws heavily on military and biker aesthetics, and a combat boot is appropriate for basically any leather context from back alley to formal banquet. Black goes with everything, but browns and oxbloods are also common. An all-leather upper (as opposed to textile or rubber) means you can shine the entire boot. A side zipper means you don't have to unlace and re-tie to get in and out. Properly cared for, they should last decades.

Your boots, like all your gear, need not be new or fancy. Well-loved gear is great, and any bootblack can help you restore a worn-but-structurally-intact boot to serviceable condition.

For a more femme look, try something with more gloss or a higher heel. Cowboy boots, work boots, and motorcycle boots (classic or sportbike) are also popular, broadly available options. Don't put a ton of money into boots until you know you're a Boot Person—then sure, salivate over custom Wescos. If you are already a boot person, you should know about Stompers.

A few boot tips! One, orthotic insoles can make boots a lot more comfortable. Two, boot laces come in lots of colors. Here's a chance to use that hanky code! Three, there's lots of neat ways to lace your boots.

Belts

Chances are good you already have a leather belt that matches your boots. If not, it shouldn't be hard to find one for a few bucks at a thrift shop. The buckle can be as plain or ostentatious as you like.

Belts also have more practical uses: you can clip a baton, handcuffs, or flogger to them. You can put someone in handcuffs and slip the chain behind the belt to restrain their wrists to their waist. You can pull your belt tight around wrists or ankles to make an improvised restraint in a scene. Folded in half and again into quarters, it makes a versatile and powerful impact toy for paddling asses or whacking on other large muscle groups. You can also bite down on it.

Tall Socks

Boots generally need tall socks. I like below-the-knee: for me they stay up better than mid-calf. Pick any color and pattern you like. When you're wearing shorts (or no pants), this can be a way to flag.

A pair of tall socks pairs well with sneakers for a sportier look, either at the bar or dancing. They're comfortable for everyday wear. Tall socks are also fantastic for stashing things when you don't have pockets. Wrap a few bills around your ID and credit card and slide it into one sock, and your phone into the other. (Tie your housekey to your shoelaces.)

Your socks can be re-deployed as a blindfold or gag—either tied around the head or balled up and shoved between the teeth. You can also put a balled up sock, a bit of rice, or anything else soft into one sock and swing it as an improvised impact toy. Tall socks can also be used to protect the tails of floggers during transport.

One good option is soccer/football/baseball/etc socks: they come in fun patterns and colors, are generally durable, and you can find them at sporting goods, department stores, and all kinds of web sites. I've had good luck with Under Armour and Adidas. Another option is gray wool hiking socks or olive military socks from the surplus store—they pair nicely with brown work boots for more of a lumberjack look. I rarely see dress socks with boots, perhaps because they're less cushioned.

Most fetish brands make socks with recognizably kinky designs. I like these—they're a fun way to exchange knowing glances on public transit. That said, construction can be hit-or-miss. Nasty Pig's new knit seems liable to tear at the drop of a hat, and I'm constantly patching holes. Both Full Kit and Boxer's socks seem to slide down my calves, either due to height or lack of elasticity. I've got a recent pair of Cellblock 13 socks that works well though! Explore in person if you can.

Handkerchiefs

I cannot say enough good things about handkerchiefs. They cost $5, you can find them almost anywhere, and they add a pop of color to any outfit. They work for all genders and all bodies. Get one in any color that matches your interests.

A handkerchief lets you flag with anything that has back pockets. It signals leather overtones for those in the know without disturbing heteronormative sensibilities. You can fold your handkerchief into a rectangle and slide it neatly into a pocket, revealing a neat, thin band of color. You can fold diagonally, exposing a triangle or “home plate” pentagon with the point aiming down. Iron the fold to make it nice and flat. You can also shove them in loosely for a more relaxed look.

No pockets? Tie a handkerchief on your wheelchair to let people know you're a fist top. You can fold it diagonally over and over into a long, thin strip, and tie it around your wrist or forehead. If you fold only partway, leaving a flat triangle, it can go around your neck. This is particularly cute for pups.

That same diagonally-folded strip makes the perfect size for an improvised, comfortable blindfold or gag. Both of these can lead to fun scenes at bars, at home, and even on the dancefloor.

You can soak a handkerchief in water (or piss!) and place it over the bottom's face for a delightful sensory trip. You can also use it to mop up various fluids. I guess you could even sneeze into it, if you're into that sort of thing.

Jocks

For those of you on the masc side of things a jockstrap can be a true delight. They connote Masculinity! and Sports! ™. They frame butts nicely. They leave your hole and most of the skin exposed, which means you can do all kinds of play (spanking, biting, rimming, fucking, figging, fisting, etc.) without pulling your underwear down. They look great on Tops too! Let the waistband ride up above your jeans and get into trouble at bars.

A jock, socks, and boots is a hot and practical outfit for one-on-one scenes, play parties, and certain kinds of bars and dances. People may tell you this is basic. That's OK: there's nothing wrong with being a basic bitch if you're having fun doing it. Be as creative or predictable as you like.

Jocks pick up your scent, which you can then push in other people's faces—or your own. You can shove a jock in someone's mouth while doing terrible things to them. People love to soak jocks in piss, cum, and sweat, then mail them to each other. Your author, who is virtuous and pure, would never do these things, but he's heard others have.

You can find jocks in all shapes, sizes, materials, and colors—yet another chance to flag. It's hard to go wrong here. Pick whatever looks good and is reasonably priced for you. The Bike is a classic, but the pouch knit can be a little rough—some like that, some don't. I'm also partial to Nasty Pig's core jock, which has a really dense, soft fabric, and Pump!'s mesh jocks, which are a little more stretchy & breathable.

If jocks don't speak to you for whatever reason, find underwear that does. Every style, from dad's Y-front white briefs to boxer jocks to thongs to the frilliest lace panties, is appreciated by a sizable contingent of leatherfolk. Or go without underwear! Do what makes you feel hot.

Gloves

Leather gloves are great. They work with full formal outfits, jeans and a tee, or just a jock and boots. A good pair of gloves can help you get into headspace. They work for both Doms and subs, but I find that a Dom wearing a pair of gloves adds an extra layer of authority to a scene.

You can flag with your gloves too: shove 'em into the appropriate jeans pocket with a bit left showing.

Gloves are great for play, both at home and at the bar. “Gloves over mouth” is a whole specialty, but gloves add extra charge to any tactile play: cuddling, stroking, punching, pinching, slapping, wrestling, and so on. They soften the sting for spanking a bit, which is nice for sensitive bottoms. You can pull your gloves off and slap someone with them. You can also shove a pair of gloves into someone's mouth to fantastic effect. Some people use their gloves for insertive play: putting fingers into the mouth, anus, or vagina.

I swear by search gloves. I've tried a lot of gloves, and the ones I (and many of my friends) like are from Tough Gloves—specifically the Patrol-X or Elite models. The leather feels amazing, I like the clean cut of the wrist, and it's thin enough that you can still do most tasks (say, tying a handkerchief) without pulling the gloves off every three minutes.

Vest

A bar vest is a simple, flexible, and practical way to leather up a look. They're suitable for a broad range of contexts, from street to bar to dungeon to formal event. Together with your boots, it'll unlock more spaces that expect a more leather-oriented dress code.

Jeans, vest, and no shirt works well for a more cruisy space like a bar or dungeon, and is a good chance to show off abs, belly, fur, tattoos, piercings, nips, and so on. Vests can also be worn over tees or button-downs to add a bit of formality and visual interest. A vest over a shirt can be worn on the street or to dinner without causing a scene, but also clearly signals “hey, I'm leather too”. It's a common look at a bar, contest, or educational event.

Vests usually come with a pair of pockets, which is great if you're, say, wearing chaps and can't use your front pants pockets any more. I use mine for phone and wallet all the time.

Because there are no sleeves and the front doesn't close, it's easier to find a vest with a good fit off the rack. Vests also tend to adjust a bit better than e.g. a shirt as your body shape and size changes. Look for side lacing if you'd like more adjustability.

Compared to leather shirts or jackets vests allows more airflow, so they don't get hot in crowded bars. They also leave your arms free to (e.g.) throw a flogger. You can also wear one straight to the bar, whereas a harness might involve a somewhat awkward period of shirt-over-harness or harness-over-shirt.

Vests are a great place to put pins and patches. I thought these were silly at first, but then I started accreting pins and I've come around to it. You can get pins for your name and pronouns, clubs, contests, social movements, people you like, various kinks and hobbies, and so on. If you're on the shy side, reading someone else's pins or letting them look over yours can be a good way to discover a mutual interest.

Bar vests are usually black, but other colors can be striking. They come in lots of cuts and with various piping designs and inlays. A classic men's bar vest should hug your body, terminate at the belt-line, and the front edges should align with your nipples. I think 665's vest here shows a fairly good fit for the classic cut. There are lots of other cuts out there, and vests with front zips or buttons that create different effects. Play around and find something that works for your body and desired look.

Vests are easier to fit off the rack, so there's a good chance you can find one used or from a leather shop as-is. Expect to pay $100-$200 new. Bodies vary, so try on a few from different makers if you can.

Wristbands, Armbands, etc

These are decorative, fun, and (often) cheap accessories. Their small size is good for travel, and they're a nice way to add a bit of leather to any outfit. Wear 'em on the right to signal a more passive mood, and on the left for more active, or symmetric if you prefer. They often come in fun colors and designs. Leather and neoprene are both common.

Pretty much everyone makes these: they're not at all hard to find. Some wristbands have zippered pockets inside, which can be a handy way to store cash.

Harnesses

Harnesses look great, come in a broad variety of forms and colors to fit different bodies, and have practical use in play. They're great fun to tug on while roughhousing or fucking. Harnesses also provide convenient attachment points when restraining someone at the bar—you can integrate them into a rope tie, hook cuffs or carabiners through them, and so on.

Most harnesses have buttons that you can adjust as your body changes, or when sharing gear with a friend. Some are convertible in various ways. I have a pair of suspenders that becomes an X-back harness I quite like.

There are some practical drawbacks to harnesses. One is that if it's cold, there are (sigh) straight people around, or you need a shirt for some other reason, you may wind up wearing a shirt over your harness. This can be mildly uncomfortable and looks a bit odd, but it can also be hot sometimes.

This is sort of hard to articulate, but a harness is a less reliable hint than, say, a vest that someone is what you might call “culturally leather”. Bars and circuit parties are chock full of shirtless men in leather harnesses. Some of them are leathermen. Others like the look but don't have any interest or expertise in play. A good fraction are kinky, but aren't as connected to the subcultural codes, practices, and network of leather community. These are all valid, but sometimes you're interested in being a little more specific what you're about. Layering additional hints—a handkerchief and boots, perhaps—can help make a harness a more obvious signifier, if that's what you're after.

Leather harnesses are about as expensive as a vest: plan on $100-$200 new. Pretty much every major leather/fetish vendor sells a variety of harnesses. Get fit for one in person if you can. You'll want to see how various strap patterns fall on your body, and once you choose one it's usually sized to you while you wait. There are also neoprene options which offer stretch, easy washability, and vibrant colors. Rubber harnesses also exist!

Chaps

Leather pants are great, but I've found chaps offer most of the visual and sensory impact of full pants, while being easier to fit, more flexible, and a bit cheaper. They work fine with a plain T-shirt up top. Boots, chaps, and vest gets you a very traditional leather look. Combine with gloves or wrist/armbands for a little extra.

Most chaps use laces or adjustable buckles which lets them adapt to thicker or thinner waists, and because they don't cover the butt they're suitable for pancakes and poundcakes alike. You really just need to make sure that a.) the inseam is about right, b.) they fit snug around the thigh, and c.) you can fasten the waist.

You can wear chaps with nothing underneath, or just your underwear for a bit of color and coverage. This can be a great look for a play party. Thanks to the zippers you can get in and out of chaps without having to pull off your boots, which can simplify play. Wear them over jeans for a street-legal look that will also work for bars and backrooms. You can flag with the back pockets. Chaps usually cover up your front pockets, which can be frustrating—consider using your vest pockets instead.

Unlike leather pants, chaps allow you to sit down and bend over comfortably.

A pair of well-made leather pants might run $500; chaps around $400. You can find them from most dedicated leather shops, and to some extent at places that deal in motorcycle gear. Sometimes they show up at thrift shops too.

Formals

“Formals” or “high cow” means a sharp-looking, finer outfit made primarily (often entirely) of leather. Cut, colors, and patterns can vary from plain black to wildly colorful, and from understated to complex piping, and paneling with intricate designs. The important thing it looks clean, neat, and good on you.

For example, a formal outfit might comprise a pair of leather jeans, a leather uniform shirt, boots, belt, Sam Browne, and tie. You could add a vest, gloves, armbands, and/or hat if you like.

You'll find formals at bars, contests, event lobbies, banquets, parties, and street fairs. Unless you're at something like a BLUF event or a formal banquet, they're essentially never required. Lots of leatherfolk don't have formals. If you're really in to the look, go for it, but otherwise I'd suggest holding off.

For some leatherfolk a formal look generates intense headspace and fosters the kind of connection that's important, even necessary for their play. For most of us I think formals are more for socializing and being seen in than for actually playing: they can be uncomfortably warm, restrictive, and you don't want to scuff your finest pants by getting down on your knees.

Formals have other drawbacks. They cover up lots of skin that you might want accessible for play. They're cumbersome to get on and off. They're expensive—think a couple thousand dollars new. Because leather doesn't stretch much, they're hard to fit and may require custom work. As your body changes you may find your formals no longer fit well.

Formals are generally a specialty item: you'll probably need to find a leather-oriented vendor, independent tailor, or used marketplace. Because they fit the body closely, this is one of those places where I think you really want to try gear on in person instead of online.

Pup Stuff

Pups love hoods. For many it's an instant path to pup headspace. There's a mild sensory deprivation aspect that's fun. I also think a lot of pups who aren't comfortable with social interaction appreciate the anonymity of a hood: it hides their face and provides a simplified script for how to interact with strangers. I one myself and use it for play, but as someone who's a tad hard of hearing I find hoods mostly frustrating in bars and other social areas—it's difficult for me to understand people if they're wearing a hood, and if I'm wearing mine it's hard to hear others. Fine if you're nonverbal, though!

Leather pup hoods look and feel great, but for a first hood I suggest neoprene. They're much cheaper and come in all kinds of fun colors. They stretch better, which improves comfort and makes them easy to take on and off. They're fine with water so you can sweat in them, wear them to the pool, and just dunk them in the sink to clean. They're also soft, which makes them easier to pack, and hurts less when you nuzzle into someone's face.

If you get hot easily, or are going to wear a hood on the dance floor, consider one with an open back instead of one that encloses the whole head.

Basically every fetish vendor makes pup hoods (and sometimes matching gear!), so shop around and see what resonates with you.

If you're going to be on all fours on hard surfaces (whether as a pup or just because that's where play takes you) a pair of knee pads can really improve your life. You probably want soft pads instead of hard ones, so you don't inadvertently injure people or scratch up the floor.

Basically every pup I know has problems with knee pads not staying in place—it's not just you. I've asked around a lot, and I don't think there's firm consensus on What To Get. My favorites are CK's Wraptor 2.0, which is designed for wrestling, and that's pretty close to pup play. You should be able to find something like this in the $20—$30 range at a sporting goods store.

A pair of soft mitts also makes being on all fours easier. You can get dedicated padded bondage mitts for this, which are fun because you can't use your hands any more. My favorites are from Fetters: they're sturdy, locking, and feel amazing, and you can use them in all kinds of bondage contexts. Pricey, though, and you can absolutely find cheaper out there. Many of us prefer MMA gloves, which leave your fingers free, provide wrist support, and plenty of padding. You can find those at sporting goods stores for as little as $20, and as a bonus they're fun for punching scenes.

Pro tip: you can quickly convert MMA gloves (or bare hands) into helpless mitts with 3M Vetrap—an elastic bandage that sticks to itself but not to skin or hair. Vetrap is cheap, re-usable if you're careful, and has all kinds of uses for restraint and sensory deprivation.

Rubber

Rubber operates in a sort of parallel universe to leather: we occupy the same spaces, many people are into both, but stylistically we make somewhat different choices. There's an adage that one doesn't mix rubber and leather as materials. This is absolutely not a hard rule, and I've seen people look fantastic in mixed outfits, but do keep in mind that rubber generally commits you (and every surface you touch) to being coated in silicone lube, and that may be hard to clean off your leathers.

Your high socks and boots (or sneakers) can work with many rubber looks. High socks will catch the sweat, and the more sock exposed, the more the socks can wick away and evaporate that water. Many people start with just rubber underwear or a pair of rubber shorts, and wear those on their own. I've also seen rubber shirts and harnesses combined with jeans. Full-coverage looks, including catsuits and surfsuits, make popular outfits at bars and events.

Neoprene

Neoprene is a magical material. It's thick like leather, stretches and hugs the body like lycra, doesn't require the lubrication of rubber, and is washable like most textiles. It's unusual enough to feel fetishistic. You can get almost everything in neoprene from a variety of gear vendors: pants, shirts, underwear, caps, harnesses, pup gear, and so on. Many of these can serve as drop-in replacements for the other gear we've talked about. Mix and match as you see fit!

Some people are specifically into wetsuits. If that's your thing, dive in!

Lycra

Lycra/spandex is a low-key fetish for lots of folks, and one that you can build a whole look around or mix into more leather-inflected outfits. Compression shirts are available from sports vendors and are surprisingly versatile—you can wear them with gym gear of course, with standard jeans, or with boots and bar vest for a more leather look. Add some BDUs and a black ball cap and you've got the makings of a “tactical” look. A pair of Oakley sunglasses and cowboy boots works great for (as a friend calls one of his aesthetics) “redneck drag”.

Singlets are another great option, and work well for bondage and pup play. A singlet with a tight elastic band around the leg holes lets you tuck your phone and wallet up against your quads.

I've found tights to be less versatile. Most lack pockets, and once you've committed to skintight bottoms it can constrain what you can wear up top.

If you're a spandex person, you might want to know about SlickItUp. Their gear is generally less durable than, say, Under Armour, but is much more entertaining.

Sports Kit

Sports gear has lots of advantages. It's usually breathable, durable, and washable. The designs are fun! It might not meet dress code for some events, but it's usually a viable option for most bars, dungeons, and leather runs.

Starting with your jock and socks you can build a variety of looks. Consider football pants and a practice jersey, or rugby shorts and shirt. Hockey is a whole thing. Cleats are hot (and have delightful applications in trampling play), but on hard surfaces sneakers are probably a safer option.

I'd leave specialty items (helmets, pads, and so on) for later. They can be incredible fun, but their higher cost, bulk, and single-purpose nature makes them less flexible pieces in your wardrobe.

Uniforms & Workwear

This is less familiar ground for me, but I want to acknowledge that a.) people are very much into uniforms, and b.) you can wear many uniforms in bars, at runs, and parties.

Keep in mind that uniforms reference their associated institutions, and that onlookers may read your wearing the uniform as an uncritical endorsement of that institution. Uniforms of (e.g.) postal carriers, mechanics, athletes, firefighters, and medical staff are broadly unproblematic. Military and prison uniforms can engender a mix of enthusiasm and hostility, depending on context and audience. A lot of people like police uniforms, and you'll likely see them at events. However, given the historical and ongoing problem of generally abusive and specifically racist policing in the US, you may wish to exercise discretion when deploying one in public spaces. I don't think I've ever encountered a Nazi uniform, but you do hear about it from time to time. I think most leatherfolk, myself included, consider this in very poor taste.

Acquiring uniforms can mean going a bit off the beaten path. Keep in mind that most uniforms are a.) mass-produced, and b.) all have to go somewhere: there must be a supply somewhere! If you have a contact who works in the field you're interested in, try asking them how they get their gear. Many uniforms are available from general-purpose uniform supply companies. For military gear, try a military surplus store. You can also get lucky at thrift stores, eBay, or gear marketplaces like Second Skin.

Motorcycle

If you ride, your existing gear (e.g. boots, gloves, pants, jacket, tracksuit, helmet) can all be worn to the bar or during play. Motorcycle boots and gloves can also be combined with other gear (like a rubber catsuit!). If you're looking for motorcycle gear just for wearing, remember that you don't need it to live up to the same safety standards as riders. Feel free to acquire used, even rashed-up gear, or to choose discount brands.

Conclusion

You don't need a single piece of gear to play or participate in most leather spaces. But if gear speaks to you, wear it! Gear can look and feel great, both for you and the people you're engaged with. You can use it to signal affiliation and interests to others. You can attract (or deflect) attention. Your gear can also serve practical purposes when socializing or playing.

Don't feel pressured to leap in headlong. Try one piece first: a simple, inexpensive pair of boots or a leather bracelet is a great starting point. Get a sense for how it makes you feel, how it works in play, how it fits into your social life. Then go from there.

In the next post, I'll talk about some of the tools I love to play with.

 
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